Harpoon Shooter Nozomi (Switch)

 Though like any normal person, I prefer my shooting games to strictly follow arcade-style rules: no meta-progression, continues optional (and preferably punished), and scoring being based as much on skill (and as little on either luck or grinding) as possible. I will concede, however, that there is room for games to be experimental, and try different things within the framework of shooting games as a genre. Any such game, even if it's a good game, couldn't be considered a good shooting game. That makes sense, right? You're all on board with what I'm saying, right?

 

Harpoon Shooter Nozomi is such a game as I've just described. It's got a whole bunch of unlocking of weapons, unlocking of stages, various things like that, that mean that even in the "arcade" mode, scoring isn't completely skill-based, since the weapons you unlock in quest mode also get unlocked in arcade, and they tend to be a lot better than the ones available when you first start playing the game. There's also a heavy luck element, with each stage containing a pachinko minigame. You collect balls as you make your way through the stage, then use them in the minigame to secure materials used for unlocking weapons in quest mode, or points in arcade mode.

 

So, it's not a good shooting game. But is it a good game? Yes. There's two big factors that sway my opinion in its favour. The first is that that it's a game that's overflowing with charm. The graphics are all really cute pixel art, drawn with very bright colours and a very endearing, slightly messy style. There's lots of little references to other shooting games like Twinbee and Fantasy Zone. Nozomi makes little comments in the top corner of the screen based on what's currently happening in-game. When you're in the shop, you can see a bunch of little easter egg items from elswhere inthe game on the shelves in the background, and these even change from stage to stage! 

 

The second, more important factor is that this is a game with an overwhelming surplus of ideas, to the extent that I feel like that's worthy of respect on its own. As well as the aforementioned pachinko minigame and weapon shop/development system, I still haven't mentioned the game's eponymous gimmick! You shoot your normal weapon by just holding down the fire button, but when you press it, you shoot out a giant harpoon! There's various things the harpoon can hook onto, the main use being pulling apart larger enemies and bosses: pull the heads off of birds, the shells from snails, the rooves from buildings, and so on. There's some bosses where you have to pull away the boss' armour with your harpoon, then let go, and before it snaps back, shoot the harpoon to pull out the vulnerable cockpit! On top of that, there's a system of Dynamite Headdy-style secret bonuses, including hidden items, as well as secret little tasks, like pulling part of an enemy away from it, then while it's hooked, flying round it in a circle.

 

This is a fun and charming little game, and definitely worth your time, as long as you can disconnect the part of your brain that expects a certain kind of purity from shooting games. I recommend it, with that caveat. I'd also like to know if anyone has any information on the developer, Wandering Wonder. I haven't been able to find anything myself, and I'd like to know what else they've done!

Gegege no Kitaro: Youkai Daigekisen (DS)

 Gegege no Kitaro is one of those series I think everyone's aware of through its influence, but it's not widely seen or read by English-speaking audiences. This game was apparently released to celebrate the fortieth anniversary of the first Gegege TV anime, though to be honest, there's been a pretty steady stream of Gegege games (Gegegames?) coming out since at least the Famicom. Those games have manifest in a few genres, and in this case, it's a platformer.

 

I think the big draw for the game is the graphics: on the surface level, they're made up of beautifully-drawn pixel art, but what I really loved is what that art depicts. The game is set in a modern Japan that's just a little grimier, a little darker, and a little spookier than real life. It's not the kind of over-the-top grime and dirt seen in a lot of 2010s American horror movies, it's just presenting slightly murkier spaces than the average suburbanite might be comfortable inhabiting, and even within that specific setting, there's still a lot of variety in the backgrounds. I think it looks beautiful! All the characters and monsters are full of character and charm, too, and all fit perfectly into the world depicted.

 

The game itself is surprisingly simple for a platformer of this vintage. You can jump and double jump, you can shoot your hair straight forward, and you can kick your sandals at your foes for a slightly more powerful attack. You can also have Kitaro use his stripey waistcoat thing as a shield or a parachute, the latter use being a big part of navigating later stages. And it is an actual platformer with actual platofrming, too! A lot of the challenge actually comes from testing the player's skill in navigating big stages, with combat actually being pretty simple. Having said that, though, another highlight of the game, both mechanically and aesthetically, are the gigantic bosses that appear at the ends of the stages, including one of the coolest and most impressive gashadokuro I've ever seen in a videogame!

 

For all of the praise I've given it, I do have a pretty big problem with this game: the difficulty. The first few stages are moderate: they don't feel like a cakewalk, but they're not particularly challenging. Then stage five is a massive step up in difficulty. Throughout the game, there are glowing orb things to collect, and once you've got a hundred of them, you get a short period of invincibility. They re-appear if you leave an area and re-enter it. There was a point in stage five where it seemed like the only way to progress was to keep going in and out of the area until you can use invincibility to get through. Then on stage six, there was another area that felt the same way, but that's where my patience with the game ran out and I stopped playing.

 

There is a possibility that this dramatic uptick in difficulty is a deliberate decision, though, as after stage five, there's and ending and the credits roll. So maybe the final four stages are intended to be a kind of optional "for super players" type thing? That makes it a little more forgivable, but it also means the actual game is only about forty minutes long. I dunno. That doesn't really matter nowadays, though, since you're likely to be playing via emulation of a flash cart anyway. (I did look up the game on Suruga-ya, and it's listed for about the same price as it would have been brand new, which is a lot more reasonable than most older Gegege games (gegegames).)