Merchant in Dungeon (Switch)

 The English translation of the PC game Recettear came out back in 2010, and as much as I've enjoted playing its addictive combination of Ys-like action RPGing and menu=based shop management (it's one of an exclusive set of RPGs that's I've played all the way through more than once), I've also long wished for a game that scratched the same itch, but on a handheld. Merchant in Dungeon might not be the first game I've played in this quest, but it is the first I've written about. (I'll get to the others someday, honest!) 

 

It has almost the exact same premise as Recettear, too: you've been lumbered with a huge debt by a relative, and you've got to run an item shop to pay it off. There's also a heavy emphasis on item crafting, or at least, on ordering items to be crafted for you. There's a blacksmith and an alchemist/chef in town, and you can bulk order items to be made to fulfill orders that have been made by your customers. You can also buy multiple shops, restaurants, and so on, where your items could theoretically be sold. And as well as the manufactured items, you can also venture into dungeons to kill monsters for loot and hunt for treasure.

 

The dungeons aren't top-down action stages like in Recettear, though, instead being a bunch of rows of five cards, from which you can select from three at a time. The cards represent things like monsters, treasures, empty spaces, and so on. You keep picking cards until your party (made up of yourself and the strongest of the employees from your chain of shops) runs out of HP, or until you find and choose and exit card. With the battles being taken care of automatically, your input here is mainly down to deciding if your party has enough remaining HP, and choosing the next card accordingly.

 

That hands off approach extends to a lot of the game's other portions, too. The crafting, for example: all you have to do is pay the respective shopkeeper, and you can make the order. There's none of the ingredient gathering of the sort you might see in the Atelier games, for example. You'll be doing this a lot, too, as fulfilling the orders is your main source of income, the shops you open being mostly useless after they've sold a few restocks' worth of items. Fulfilling the orders also helps increase the affection each of the game's female characters has towards you, so you can choose to marry one at the end of the game. You can offer them gifts to make it go up even faster, but you really don't need to: by the time I'd finished the game, they were all 100% in love with me, without me even trying. There's a slightly unsavoury aspect to this part of the game too, as shallow as it is: while all of the female characters are drawn as adults, and they're also all employed in adult jobs, two of them are listed as being underage in their (well-hidden) character profiles. What a weird and pointless thing to add in there, to make your otherwise adult characters kids in that way. It's the opposite of the old "draw a little girl but pretend she's an immortal demon" thing, too. Bizarre, but then, the whole romantic aspect of the game feels like it was added as an afterthought and might as well not be there at all, anyway.

 

The main challenge of the game is raising the money to pay your next installment, but once you've completed a dungeon or two, you'll start getting such easily-fulfilled, high-value item requests that while you're given a few weeks for each repayment, you'll be doing it in less than one, and you'll probably be able to pay the last few one after another in one go. It kind of feels like the developers thought up all of these systems for different things to do in the game: the mass production, the card-based dungeon exploration, the management of employees and keeping multiple shops stacked, but then they didn't balance the numbers properly, meaning that getting through the game is so easy that you never have to engage with any of those systems on any but the most shallow level. (What a long sentence!)

 

Merchant in Dungeon is an okay game, and it'll probably keep you occupied for a couple of hours. But that's all. In fact, if you aren't writing a review of it, once you realise you can just charge towards the end of the game, you'll do just that, and get through it even quicker than I did. You can continue your save after paying off your debt, but there's no longer any goal to work towards, nor is there anything interesting enough to get you engaging more deeply with the game's mechanics. Hopefully, a sequel might come out that fixes the problems with this first game. I can't really recommend this one, though, unless you're curious enough to pick it up for a pittance in an eShop sale.

Dragon Drive: D-Masters Shot (Gamecube)

 After a long run of excellent games right from their formation, across the Mega Drive, Saturn, Dreamcast, Playstation, N64, and Game Boy Advance, Treasure entered the twenty-first century with a lot of goodwill from a lot of people. Unfortunately, they quickly squandered it with a bunch of games like Wario World that weren't bad, but they also weren't up to the high standard people had come to expect from Treasure. (And there was also Stretch Panic, which was bad, but weird enough that people were willing to overlook it a little.) Dragon Drive is one of their games from this era that didn't get released outside of Japan, and as a tie-in to a long-since forgotten anime and manga, probably would itself have been completely forgotten by now were it not from such a famous developer.

 

The first thing you'll probably think upon starting the first stage of Dragon Drive is "hey, this is like Panzer Dragoon, but in the modern day and also one of the free range stages from Lylat Wars!", which is fairly accurate. You start the game as a kid dangling underneath a baby dragon, flying over a modern city, shooting at other dragons. The dragon quickly grows to full size, and you have a boss fight. Then there's a linear rail shooting stage, to make things even more like Panzer Dragoon! And those are the three main stage types in the game: free range-style stages where you fly around an enclosed area shooting down enemies, linear rail shooter stages, and boss fights, which are like the free range stages, but there's only one enemy that has insane amounts of health.

 

The plot concerns a competitive virtual reality game about dragon piloting, and the bosses you fight are the other players. I do find this kind of plot pretty weak, especially in a videogame: I'm already playing a game, why am I playing as someone else playing a game? Where are the stakes for the characters here? However, it does allow for some variety in where the stages take place, without having to justify all these different locales. In the couple of hours I played, I saw the aforementioned modern city and attached highways, as well as a desert decorated with giant monster skeletons at sunset, a fantasy castle town at night, and a small jungle island. And of course, the sight of huge dragons flying and shooting breath weapons at each other is really cool.

 

There's power-ups too, in the form of various cards you can collect in the stages. You can hold up to four of these, each assigned to a direction on the d-pad for use. They come in three flavours, too: red ones increase your attack power for a while, green ones restore some of your health, and yellow ones do various different things, like having a big explosion emanate from your dragon, damaging all nearby enemies, or creating a holographic copy of your dragon to draw enemy fire. The use of cards in this way feels very much of-its-time. A lot of Japanese kids shows that weren't specifically about card games had some kind of card element to them around this time: Digimon Tamers, Kamen Rider Blade, and so on.

 

Dragon Drive D-Masters Shot is a decent enough game. I've definitely played much worse rail shooters, and if it were developed by someone like Tamsoft or Sandlot, it'd probably be enjoying a re-appraisal as a forgotten classic of the Gamecube library. Unfortunately, it's by Treasure, and like the aforementioned Wario World, it's one of those games that broke the spell they had over a lot of people around the turn of the century, by being merely okay instead of the excellent games we'd grown accustomed to them releasing. The biggest shame is that they don't seem to have ever recovered from this era. They haven't released any new games in over a decade (another kids' anime tie-in on 3DS, Gaist Crusher God), though they announced a comeback in 2022, we've seen nothing of that yet. Anyway, this game's pretty good, you probably won't regret seeking it out and playing it with the recent translation patch applied.