Blood Lines (Playstation)

 Everyone loves to read about Japan-exclusive Playstation games, but Blood Lines is part of a much rarer breed: PAL-exclusive Playstation games! Despite that, someone at Sony Europe must have had some faith in it, as I remember playing it on a magazine demo disc back at the time. I especially remember the line "LOSING BECOMES YOU!" that one of the characters shouts after winning a round, in an exagerrated posh accent.

 

But after winning a round of what? A combination of tig, and a four corners strap wrestling match. Also, it's set in some kind of dystopian future. How it works is that you and your opponent start in the middle of a small 3D platform stage, at strategic points of which are a bunch of energy field things. These fields start off green (neutral), until the first player touches one. Then, that field changes to be their colour, and they become the active player, so they can touch the others to make them their colour. Turn all except one of the things to your colour to win the match.

 

If you're not the active player, you've got to chase them, and when you catch them, you'll do a wrestling move to them and become the active player yourself. All the while, both players can keep tapping square to shoot little homing projectiles at each other, the effect of which isn't exactly clear, but I think the active player getting hit brings them a tiny amount closer to their opponent, and the passive player getting hit sends them a tiny amount further away.

 

It's an interesting idea to make a gritty sci-fi version of a game most people left behind in primary school, and it kind of pays off? Like, this is a pretty fun game! I imagine, if you could somehow convince someone to play it with you, you'd both have a good time. And, in an even more far-fetched scenario, you might even set up a multi-tap and get three other people to play with you, in the four player party mode. In this mode, there are obviously four characters in play at the same time, and two can be active at any times. THe aim is still to turn all but one of the fields your colour, though. It really seems like this could be a nice bit of chaotic fun if you could get it running with the right group of people. I do wonder if it's ever actually been played with a full cohort outside of the developer's offices, though. 

 

Blood Lines is a fun game! It's decent enough as a solo player and though I can only speak on multiplayer from a theoretical standpoint, like I said: if you've got a group that's willing to try out something a little strange and different, I think you'll get a lot out of it.

The Terminator (Mega CD)

 It might seem a little odd for me to be writing about a game that's a tie-in to an incredibly popular mainstream movie. But there's a few mitigating factors at play here. Firstly, it's a Mega CD game, and almost every Mega CD game can be considered at least a little obscure. Not only that, but it's also a platformer on the Mega CD, and it was released in 1993, and to the magazines of the time, that was an unforgivable crime. Around about 1993-94, even games now considered universally-beloved classics like Gunstar Heroes and Alien Soldier were getting bad reviews for being "just platformers", and to exacerbate this, critics at the time had somehow gotten the idea that the Mega CD was some kind of wonder consoles that would change the very meaning of videogames, giving us hyper-realistic graphics and games that were indistinguishable from playable movies, and anything that fell short of this was lambasted. Except Thunderhawk, for what I'm sure are totally legitimate reasons.

 

The Terminator, then, is "just a platformer", and it's definitely not as good as those Treasure games I mentioned above. But what it does do is utilise the strengths of the Mega CD to create a big, exciting audiovisual experience. I'm not totally sure about this, but I think it's using a deeper colour palette than the stock Mega Drive would normally support, and there's a few subtle bits here and there in the way certain sections scroll and such that probably wouldn't be impossible on a cartridge, but would at least been a bit of a hefty test of skill for the programmers. There's also clips from the movie played between stages, and the very dark lighting and muted colours of the movie really make for a good fit into the very limited FMV capabilities of the Mega CD. I haven't gotten through the entire game (though I have played more than half way), but it seems like none of the clips used contain any spoken dialogue, which is interesting. Even moreso when you reach the Tech-Noir nightclub, where the BGM is a track made up of little samples of the movie's dialogue. "It's just me.. and him. Cyborg. Cyborg. Cy-cy-cybernetic Organism." and so on.

 

The music is a high point in general, with the aforementioned track being a very of-the-time kind of electronic dancy type thing, and a lot of the other stages being backed by some also very early nineties American-style hair metal instrumentals, mixd with a little movie soundtrack epic bombasticity (you can really tell I'm not used to writing a lot about music here, can't you?). The music was clearly an intentional selling point, too, as three of the five big bullet points on the back of the US case mention it. (It's also credited to Tommy Tallarico in the intro, but in the year 2026, what does that even mean anymore?) The back of the Pal box doesn't mention it at all, with a much more standard, flavourless paragraph just describing the game. I do want to mention that the front of the boxes are very different, somehow, though: the PAL cover is simple, but effective. The Terminator logo and the classic portrait of the T-800 on a black background. The US cover is deranged, however: that same portrait, but copied and pasted around a few times, with a different filter on each one in a very silly and cheap-looking manner.

 

As for how the game plays, it's pretty good. You play as Kyle Reese, and the first few stages have you running around post-apocalyptic Los Angeles and Skynet's base, killing lots of evil robots, until you get to the time machine. Then you're in 1980s Los Angeles, killing lots of punks and hair metal fans. It's kind of similar to the movie tie-ins that Acclaim were putting out on SNES and Mega Drive at around the same time: well-animated sprites, enemies that can take a few hits before dying, lots of ladders to go up and down, and a dark colour palette. It's simpler than those games tended to be in good ways, though: you armed only with your standard machine gun and grenades, rather than having a bunch of gimmicky weapons with limited ammo to swtich between, and while the enemies do take a bit of a beating, so do you. Best of all, you pretty much only ever have to make your way in a generally rightwards direction, with exploration beyond that being optional and rewarded with power-ups. No getting lost in vast labyrinthine stages.

 

There's a few very distinct enemy types in each era, with maybe one or two new ones introduced per stage at most, and they all have very learnable behaviour, another thing I consider a big positive. It's satisfying to see a bunch of enemies you're about to fight, you know how to fight them, and then you execute that. Another cool thing is that you get a whole new look after you time travel! In the future, Kyle's in his military-like resistance outfit, with a futuristic machine gun, then after the jump (since nothing can be brought through the portal orb thing), he gets a trenchcoat and rifle, and his grenades are replaced with molotov cocktails. These 1980s weapons still handle exactly like the 2020s ones, but it's still a cool visual touch.

 

I recommend trying out The Terminator, and make sure you do so with the volume up high. It seems almost as if someone at Virgin (presumably Dave Perry) had the idea of using the Mega CD to adapt the movie into a kind of playable concept album, and in my opinion at least, it's an idea that really paid off. I'll assume it wasn't much of a commercial success, though, not only because it's on the Mega CD, but also because it's apparently one of the rarer games on the system nowadays. What a shame. It'll probably never get ny kind of modern pot or rerelease either, for many reasons. So you know what to do.

Ultra Kaiju Monster Rancher (Switch)

 The Monster Rancher series is one with which I'm not very familiar. I do remember, probably more than twenty years ago, spending an afternoon playing one of the GBA Monster rancher games via emulation, keeping the fast forward button held down almost constantly. Even further back, I remember people complaining online that there weren't enough female characters in the anime about whom to write yuri. I am, however, a little more familiar with Ultraman, and with kaiju in general, and right from the announcement of a Monster Rancher game about raising Ultraman kaiju, I was interested. So it was among one of the first batch of physical games I bought shortly after I finally got a Switch late last year.

 

Once I started playing the game, it quickly became one that started taking up big chunks of my time. It's not a game I'm always craving, and not one to which I return every day. But when I do load it up, I'm usually there for well over an hour. The game's got a prertty repetitive design, but in a way that just kind of feels good and eats up time? It's split into weeks, and each week you choose what your kaiju is going to do: rest, train, fight in a tournament, or when they're available, fighting a wild kaiju or exploring a maze-like valley full of treasure. When you train, you pick one stat to increase, or two stats with the downside of slightly lowering another. Tournaments and wild kaiju fights are pretty obvious, and I'll get into combat more later. And all the other things make your kaiju tired, so resting is something you'll just have to do every few weeks. The treasure mazes aren't particularly interesting. You move your kaiju through a simple maze, until you find a place they can dig for treasure. They'll get a few items, occasionally one that might advance the plot a little (if you're even interested in the plot. You could easily play this game for a long long time and never even touch it). 

 

But how do you get a kaiju? The series has, since its start, been famous for the system whereby you put a music CD into your console to generate a monster, and that aforementioned GBA game had you inputting words to make them. In this case, there's something that's kind of a middle ground: the game has an inbuilt database of artists and song names, and at the summoning altar, you search for and select a song that'll probide the basis for your kaiju. The database isn't great, and it really doesn't seem like there's much metal representation, unfortunately. But it's still a decent enough compromise that keeps ties to the series' roots and isn't as boring as just typing in a word, like the GBA game.

 

The combat is interesting, a middle ground between action and turn-based that adds a little extra depth to precedings in a few ways. You can control your kaiju by making them walk towards or away from their opponent. At the bottom of the screen, there's four icons representing attacks, at different distances away from your opponent. You have one attack button, and pressing it will make your kaiju pergorm the attack represented by the icon over which they're curently standing. So distance management is important. Each attack consumes a certain amount of a resource called guts. This is constantly increasing at a speed determined by a few factors. I think (but I'm not sure) that your kaiju's speed stat affects it (it also affects your kaiju's chance of dodging attacks), but their current anger level definitely affects it: the angrier they are, the faster it increases. (Anger generally goes up when you make your kaiju train, and goes down when they win fights. If it reaches its maximum, your kaiju goes on a rampage, which could trigger a few different events).

 

Furthermore, the time limit for all fights, tournament or wild, is sixty seconds. This is actually more important than it sounds as knockouts are relatively rare, and if you're fighting an opponent that vastly outclasses you on paper, you could win a time out victory with a ombination of skill and luck. If you've managed to chip a little of a powerful foe's HP off, and they've missed every attack, you might try to run out the timer with lots of weak attacks, each eating up four or five seconds whether they hit or not. It might not be particularly noble, but it's still very satisfying to pull off.

 

I don't know enough about the Monster Rancher series to say whether the use of kaiju in this one is anything more than a thematic and visual gimmick or not. But even if it is, it's a good one. The ranch menu, that has you overlooking a sweeping vista which your kaiju looming over it is cool, and the battles between the big, lumbering beasts also look and feel cool (and their massive forms make the slow pace of their movement and the time spent waiting for guts to recharge feel appropriate, too). I've had a lot of fun with this game so far, and it's pretty clear when I look at everything I'm yet to achieve that I've barely scratched the surface, and that I'll be coming back to it for a long time to come. I definitely recommend picking a copy up.

Moero! Justice Gakuen (Dreamcast)

I know this game isn't particularly obscure, but this is a special case. This is specifically the Japanese version of the game also known as Project Justice, and a big difference between the two versions is that Moero! Justice Gakuen had a whole mode that was removed from Project Justice. That mode is Nekketsu Nikki (Hot-Blooded Diary), a character creation mode, combined with a board game with a tiny bit of dating simulation in there for flavour. A translation patch for it recently got released, and since, along with the life sim modes that were cut out of its Playstation forebears, this has been one of my most-wanted translations for as long as I've known that fan translations existed, I thought it worthy of a review.

 

With that in mind, I won't be speaking much on the actual fighting game here. Most of you have played it, and know that it's excellent already. It was a big obsession for me as a teenager, and because I couldn't find any copies in the shops in my town, I'm pretty sure it was the first game I ever ordered online (at a friend's house after school, as I had neither a PC nor my own bank account at that time). Instead, let's first talk about how character creation works. You name your character, choose their gender and their school, as well as their haircut, eyes, nose, and mouth. It's slightly disappointing that there's no customisation at all beyond that: it would have been cool to be able to make a character who's made a few minor changes to their uniform, or even to give them a different body type or hair colour than the default. But never mind, I think it's still possible to make characters into whom you can breathe a little life. (I have to admit that it was pretty clever of Capcom to use the conceit of all the characters being uniformed students to make a character creation mode possible, while justifying not having to model hundreds of different clothing items.)

 

You also choose their best school subject and three words from a selection. These choices affect your character's starting stats, and if you're boring, you can look at gamefaqs to find ancient guides written around the time of the game's release to find out the most optimal choices here. But, keeping with the spirit of the game, you should really think of the character you're making, and choose based on the personality they have in your imagination. What you notably don't get the freedom to choose are any of your character's special moves, or even their fighting stance and normal attacks. They'll be decided during the board game, which is themed around a school festival. 

 

The board game takes place over forty turns (it goes by quicker than it sounds like it would, as long as you only giver yourself one CPU opponent), and takes place on a big path of squares, laid out like a school festival. Most of the squares will slightly increase one of your stats when you land on it, some represent class credits (which I'll explain later), others give you cards, some are there to dish out special moves, and there's a rare few that reduce your stats. You spin a spinner each turn to see how far you move, though you can choose which direction you move in. Also, there are actual characters from the game wandering around, and if you land on the same space as one, you get to have a little interaction. Keep doing this with the same character, and you can befriend or even romance them (The whole series, in these console-exclusive modes, assumes that everyone is bisexual. Which is nice.). Though, chasing them arond the board would get in the way of trying to win the game or make your character stronger, so it's something to which you'd have to really dedicate a run and a junk character. An interesting thing about the special moves: though most of them are the moves of characters in the game, there's also a few moves that are only in this mode, plus the entire moveset of Street Fighter's Sakura Kasugano (who was a guest character in the first Rival Schools, but not this one). 

 

Regarding the class credits, those are the way you win the game, and if you do a good enough job, they'll be a big contributor towards your character's stats and their access to burning vigor moves. You get a randomly generated bingo card at the start of the game, with the spaces being these class credits. So, you've got to go around the board landing on them to fill your card. Getting a full row either increases all of your stats by one level, or gives your character a BV move. Furthermore, you get points for getting them, and at all times, one of them is a special space that gives an extra fifty points for landing on it (at which time another class credit space becomes the special one). After the fortieth turn, there's a CPU-controlled fighting tournament for all of the characters that were in the board game, which dishes out more points depending on where characters placed. And after that's done, the character with the most points is declared the winner, and gets to choose either another BV move (or their first if they didn't get any before this point), or a boost to all of their stats.

 

Then, you can save the character and play as them in all the actual fighting modes the game has! It's really a massive shame Capcom couldn't be bothered to translate this mode back at the time of the game's release, because I know as much as I played the English version as it was, with this mode, it would have gotten hundreds of hours of play. I know my friends at the time would have enjoyed creating characters and playing the board game, maybe even going so far as to each have our own custom trios to fight against each other in versus mode! We missed out on so much back then, didn't we? That's before you even get into the massive amounts of lore for this series that was printed in Gamest Mooks and never translated. But now we do have this mode, and it's excellent. And a (very) little bit of the extra lore got translated in the artbook Udon put out last year. Obviously, I very highly recommend playing it, and I hope that the existence of this translation is a good omen that we'll get the lifesim mode from at least one of the Playstation games translated in the near future. 

Yoyo's Puzzle Park (Playstation)

 There's some slightly odd circumstances surrounding the release of this game. Firstly, it's one of those games with a massive gap between its Japanese release (1996) and its western release (1999). Also, in Japan, it's called Gussun Paradise, which is a better name for it than Yoyo's Puzzle Park for two reasons. The first is that it lets you know that it's a spinoff from the Gussun Oyoyo series of puzzle games, and the second is that the reason it's a spinoff and not one of the main entries is that it's not a puzzle game. Instead, it's a Bubble Bobble-like: a single screen platformer in which you have to kill every enemy to progress, and also you score more points by killing multiple enemies in one go.

 

Unfortunately, every game in this genre is expected to have its own novel way of killing its enemies, that allows for that multi-kill high score play, and by 1996 the well seems to have been running dry. How it works here is that there are enemies going around, and they kill you if you touch them. You can stun them by shooting at them with one of those cone-shaped party poppers, which also knocks them back a little bit, so you can (labouriously) get them where you want them to be. There are also living bombs with faces that just kind of passively sit around. You can't shoot them with your popper, but you can go right up to them and kick them, or you can jump on them from above or headbutt them from below. Any of these nudges them a bit, and lights their fuse. Naturally, their explosions are pretty big, and they kill anyone caught in them, friend or foe.

 

It's awkward, slow, and just generally not fun at all. The worst part of it all is that the bombs regenerate where they exploded, and while you can kick them off of the edge of platforms, but there's no way to get them back to higher parts of the screen. Meanwhile, the enemies, when not stunned, can jump up to higher levels at will, meaning that you'll spend a lot of time stunning enemies and kicking them down the stage to get them to the bombs that are stuck down there. There's some interesting power-ups, at least, in the form of vehicle/animal/rubber ring things that go around your waist and give you new abilities, like flight or long-range shots. I don't think there's any that just let you directly kill enemies, though, like there are in most games of this type.

 

Though I found playing the game itself fiddly and tedious, there are some things I liked about the presentation. The map screen, from whence you pick which set of stages you're going to tackle is a very nice bit of pixel art. In fact, the game's premise is a stamp rally around the various different areas of a theme park, and it really commits to this concept in things like the save and load screens and such. Stages will do gimmicky things based on where in the park they're meant to be, too: in the aquarium, there's rising and falling water levels, with some enemies floating at the top of it, on a flight simulator, the entire screen tilts, and so on. Something else nice is the unusually human way the options are phrased: instead of "new game" and "load game", there's "play from the beginning" and "continue", while "play on my own", and "two of us play" take the place of "one player" and "two player". It's immediately noticable and adds a lot of charm.

 

Like you might have figured out, I didn't enjoy playing Yoyo's Puzzle Park, and I don't recommend it. At least, I don't recommend playing it and expecting a fun game. Give it a quick go to see how nicely presented it is, though. Then you can properly lament what a chore the actual game is. I'm surprised to learn, from a quick look at ebay, that copies are less than a hundred pounds, but still a lot more than I'd recommend paying. 

Happy! Happy!! Boarders in Hokkaido Rusutsu Resort (PS2)

 The first thing that stands out about Happy! Happy!! Boarders upon starting it is the way it sounds and looks: it's going to be a feast for those "Y2K Aesthetic" appreciators out there. Then, with the snowboarding game I've played most of being another PS2 game, Alpine Racer 3, it's striking how much slower and more realistic this game is. You have quite a lot of control of your boarder in this game, where they go, and you've also got to make them keep their balance. A big contrast to AR3, which is a very videogamey racing game, in which you mainly just have to go as fast as possible down linear tracks while avoiding obstacles. (It might get its own review here someday.)

 

So, this more of a sim-type game. Not just in the relatively more realistic snowboarding action, but also it's a tie-in to a real skiing/snowboarding resort in Hokkaido, and it's kind of a bit of a sim of being there, too. Well, a little bit. You access the menu for saving, changing your board, and some other things by returning to the hotel, at least. Also, the loading screens have some very nice, scenic photos of the real slopes, and there's also a gallery full of unlockable photos of the hotel's interior, for some reason. 

 

You start off with access to only one course, and a point quota. You get points by snowboarding, by doing tricks, by boarding between flags on the course, doing little speed challenges and for some reason, by stopping to talk to certain people who are loitering around on the course. Once you reach the points quota, you can go to the second course, which is a lot more interesting, since it's got a few branching points that kind of make it four courses in one, and you get a new points quota. For some reason, though, I didn't unlock a third course upon reaching this quota. And one of the big problems with playing and writing about obscure games is that there are no guides online to help you, so a little ulterior motive in writing this review is to ask the internet: anyone know what i'm doing wrong?

 

It really is a shame, because I was getting into the game before getting stuck like this: once you get the hang of the controls, it's a lot of fun going down the slopes, and as mentioned, it looks great too. They really did a good job of making this resort feel like a cool, fun, luxurious place to be! Plus, it seems to be almost entirely inhabited by attractive young people. Which makes sense, since from what little English writing there is about this game online, there's supposedly a romantic aspect to it, too, which I never picked up on at all! 

 

If you can read Japanese, I recommend giving this game a try! It's fun to play, and it really seems like it's got a lot going on to make it stand out in the genre. If you can't speak Japanese, I still recommend giving it a try, I've really enjoyed what I've been able to play of it, and maybe you'll be able to figure out how to get past the second course and make me look like Booboo the Fool. Who knows, maybe I'll figure it out myself? I can only hope.  

Taiketsu! Ultra Hero (GBA)

 Can you believe it's been over two years since I wrote about a tokusatsu tie-in game here? And even that's if you're liberal enough to count Power Rangers as tokusatsu. Don't worry, though: there's going to be more than one post on this subject this year, I'm pretty sure. This one is an Ultraman fighting game! There's been many of them, some notoriously awful, some sneakily having little cult followings. This one is closer to the first group, but I wouldn't go as far as to say that it's awful.

 

It's got a pretty big roster of characters, with a bunch of Ultramen selectable in "VS Mode", which is actually what you'd normally think of as arcade mode, and tournament mode, where you only fight against other Ultramen. There's also a Free Battle mode, in which you can select any of the monsters that you fight against in VS mode, including a screen-sized representation from one of the great old ones of the Cthulhu mythos, Ghatanothoa (or rather, "Ghatanothor", as the Ultra series officially spells it), who apparently appears as the final enemy in 1996-97's Ultraman Tiga (which I unfortunately haven't seen). More importantly, yes: you can play as Dino Tank in this game.

 

There's some things that are very strange about this game. Firstly, there's the balance. All of the monsters are massively more powerful than all of the Ultramen, in every mode. They do more damage with their attacks, they receive significantly less damage from attacks, and most of all, they can use their special infinitely. Ultramen have a power meter at the bottom of the screen, representing their Color Timer. It slowly goes down constantly, with special moves taking chunks out of it. There's even some "all or nothing" specials that can immediately win a fight if they hit, or lose it if they miss! So, this imbalance is clearly a deliberate choice to add tension, and stay close to the lore of the TV shows. It makes for a worse game, but a better adaptation. What a conundrum!

 

Another weird thing, that can't be so tidily excused, is the way special moves are performed. Instead of having move inputs like a normal fighting game, instead you hold a shoulder button and press a face button to perform specials. So every character has a maximum of four specials, and it's not really possible to make combos with any of them. While the face buttons are each assigned punch and kick, the shoulder buttons don't do anything when pressed on their own, so I wasn't even able to figure out this weird system on my own! Instead, I saw that there must be specials in the game when I saw CPU opponents performing them, and went looking online. Luckily, there is a guide on gameFAQs (written in 2004, a mere six months after the game's release!). It doesn't work well, it's not fun to do, and it's not very intuitive. 

 

There's good things about the game, too. Like how it looks: all the sprites are really well-drawn and animated. And while it's technically a bad game, there's still a little bit of entertainment to be had from having monster vs monster fights in free mode. And then learning that it's still hilariously poorly balanced, since any monster that has a projectile with full screen range can just spam it with impunity. If you fire up the ROM, I'm sure you'll be amused for like, half an hour or so. That's fine, right? I haven't been able to find a copy for sale, so I don't know what the prices are like for it, but whatever it costs when it does emerge: it's not worth it.

Gaiapolis (NES)

 This is an unlicensed port of the arcade game of the same game. Double unlicensed, even, since they didn't ask Nintendo if they could make a Famicom game, nor did they get permission from Konami to make a port of their arcade game. Still, this is the game to show people when they, in their ignorance, parrot lazy old stereotypes about unlicensed Famicom games being low quality, as when it came out (circa 1994-95, according to people who probably know, like those to maintain the Bootleg Games Wiki), it might well have been the best beat em up on the console.

 

But before I get onto that, I should probably describe the arcade game for those who don't know it, and also address the inevitable differences that are going to happen in porting an arcade game to vastly underpowered hardware. The arcade Gaiapolis is a vertically-scrolling, top-down beat em up with a fantasy theme and even a little bit of RPG nonsense. The RPG stuff comes in the form of not only experience points and level ups, but also in passwords used to carry those over into future games (something Capcom would later also do in their single player-focused fighting game Red Earth/Warzard). You also get little buddies following you round to help fight enemies. A little robot knight or a little armadillo thing, etc.

 

This version is also a top-down vertically scrolling beat em up, and it does a pretty impressive job of replicating the game at this basic level. It includes all three playable characters from the original, has a simultaneous two-player mode and manages to put you up against several enemies at a time, all feats that even some SNES beat em ups famously couldn't manage. The levelling up is also present, though there's no passwords to carry it between games (and since you always fight the same enemies and get the same items, this means you always level up at the exact same rate). The little buddies are also gone, which is understandable, but still a little sad.

 

On its own terms, without compared it to the original, Gaiapolis is a good game. It looks amazing, there are very few Famicom games that can boast of such detailed backgrounds (there's some really impressive animated rivers and stuff that look amazing!), or of throwing around so many big characters around the screen all at once. There's a few points where a discerning eye can see the metaphorical strings (one big example is that your screen-clearing magic attack and the large sprites used for certain bosses are both made of background tiles, so they can only appear on alternating frames), but honestly, that kind of thing only makes it all more charming. And most importantly, it's fun to play, too.

 

Obviously, you can probably play the arcade version in 2026 just as easily as you can this one. Maybe even easier! Which does make this version a little obsolete from a totally objective standpoint, but I think it does still have some value. It's a fun game, even though it's so heavily compromised, truncated, and abridged, and more importantly: it's interesting. It's so far beyond most (maybe all) of the officially released Famicom beat em ups, and it really shows that the people at Sachen really had a handle on how to get the most out of the system, which was a decade old when this game was released. If you are interested in developers drawing miracles from ancient hardware, it's definitely worth your time.

Merchant in Dungeon (Switch)

 The English translation of the PC game Recettear came out back in 2010, and as much as I've enjoted playing its addictive combination of Ys-like action RPGing and menu=based shop management (it's one of an exclusive set of RPGs that's I've played all the way through more than once), I've also long wished for a game that scratched the same itch, but on a handheld. Merchant in Dungeon might not be the first game I've played in this quest, but it is the first I've written about. (I'll get to the others someday, honest!) 

 

It has almost the exact same premise as Recettear, too: you've been lumbered with a huge debt by a relative, and you've got to run an item shop to pay it off. There's also a heavy emphasis on item crafting, or at least, on ordering items to be crafted for you. There's a blacksmith and an alchemist/chef in town, and you can bulk order items to be made to fulfill orders that have been made by your customers. You can also buy multiple shops, restaurants, and so on, where your items could theoretically be sold. And as well as the manufactured items, you can also venture into dungeons to kill monsters for loot and hunt for treasure.

 

The dungeons aren't top-down action stages like in Recettear, though, instead being a bunch of rows of five cards, from which you can select from three at a time. The cards represent things like monsters, treasures, empty spaces, and so on. You keep picking cards until your party (made up of yourself and the strongest of the employees from your chain of shops) runs out of HP, or until you find and choose and exit card. With the battles being taken care of automatically, your input here is mainly down to deciding if your party has enough remaining HP, and choosing the next card accordingly.

 

That hands off approach extends to a lot of the game's other portions, too. The crafting, for example: all you have to do is pay the respective shopkeeper, and you can make the order. There's none of the ingredient gathering of the sort you might see in the Atelier games, for example. You'll be doing this a lot, too, as fulfilling the orders is your main source of income, the shops you open being mostly useless after they've sold a few restocks' worth of items. Fulfilling the orders also helps increase the affection each of the game's female characters has towards you, so you can choose to marry one at the end of the game. You can offer them gifts to make it go up even faster, but you really don't need to: by the time I'd finished the game, they were all 100% in love with me, without me even trying. There's a slightly unsavoury aspect to this part of the game too, as shallow as it is: while all of the female characters are drawn as adults, and they're also all employed in adult jobs, two of them are listed as being underage in their (well-hidden) character profiles. What a weird and pointless thing to add in there, to make your otherwise adult characters kids in that way. It's the opposite of the old "draw a little girl but pretend she's an immortal demon" thing, too. Bizarre, but then, the whole romantic aspect of the game feels like it was added as an afterthought and might as well not be there at all, anyway.

 

The main challenge of the game is raising the money to pay your next installment, but once you've completed a dungeon or two, you'll start getting such easily-fulfilled, high-value item requests that while you're given a few weeks for each repayment, you'll be doing it in less than one, and you'll probably be able to pay the last few one after another in one go. It kind of feels like the developers thought up all of these systems for different things to do in the game: the mass production, the card-based dungeon exploration, the management of employees and keeping multiple shops stacked, but then they didn't balance the numbers properly, meaning that getting through the game is so easy that you never have to engage with any of those systems on any but the most shallow level. (What a long sentence!)

 

Merchant in Dungeon is an okay game, and it'll probably keep you occupied for a couple of hours. But that's all. In fact, if you aren't writing a review of it, once you realise you can just charge towards the end of the game, you'll do just that, and get through it even quicker than I did. You can continue your save after paying off your debt, but there's no longer any goal to work towards, nor is there anything interesting enough to get you engaging more deeply with the game's mechanics. Hopefully, a sequel might come out that fixes the problems with this first game. I can't really recommend this one, though, unless you're curious enough to pick it up for a pittance in an eShop sale.

Dragon Drive: D-Masters Shot (Gamecube)

 After a long run of excellent games right from their formation, across the Mega Drive, Saturn, Dreamcast, Playstation, N64, and Game Boy Advance, Treasure entered the twenty-first century with a lot of goodwill from a lot of people. Unfortunately, they quickly squandered it with a bunch of games like Wario World that weren't bad, but they also weren't up to the high standard people had come to expect from Treasure. (And there was also Stretch Panic, which was bad, but weird enough that people were willing to overlook it a little.) Dragon Drive is one of their games from this era that didn't get released outside of Japan, and as a tie-in to a long-since forgotten anime and manga, probably would itself have been completely forgotten by now were it not from such a famous developer.

 

The first thing you'll probably think upon starting the first stage of Dragon Drive is "hey, this is like Panzer Dragoon, but in the modern day and also one of the free range stages from Lylat Wars!", which is fairly accurate. You start the game as a kid dangling underneath a baby dragon, flying over a modern city, shooting at other dragons. The dragon quickly grows to full size, and you have a boss fight. Then there's a linear rail shooting stage, to make things even more like Panzer Dragoon! And those are the three main stage types in the game: free range-style stages where you fly around an enclosed area shooting down enemies, linear rail shooter stages, and boss fights, which are like the free range stages, but there's only one enemy that has insane amounts of health.

 

The plot concerns a competitive virtual reality game about dragon piloting, and the bosses you fight are the other players. I do find this kind of plot pretty weak, especially in a videogame: I'm already playing a game, why am I playing as someone else playing a game? Where are the stakes for the characters here? However, it does allow for some variety in where the stages take place, without having to justify all these different locales. In the couple of hours I played, I saw the aforementioned modern city and attached highways, as well as a desert decorated with giant monster skeletons at sunset, a fantasy castle town at night, and a small jungle island. And of course, the sight of huge dragons flying and shooting breath weapons at each other is really cool.

 

There's power-ups too, in the form of various cards you can collect in the stages. You can hold up to four of these, each assigned to a direction on the d-pad for use. They come in three flavours, too: red ones increase your attack power for a while, green ones restore some of your health, and yellow ones do various different things, like having a big explosion emanate from your dragon, damaging all nearby enemies, or creating a holographic copy of your dragon to draw enemy fire. The use of cards in this way feels very much of-its-time. A lot of Japanese kids shows that weren't specifically about card games had some kind of card element to them around this time: Digimon Tamers, Kamen Rider Blade, and so on.

 

Dragon Drive D-Masters Shot is a decent enough game. I've definitely played much worse rail shooters, and if it were developed by someone like Tamsoft or Sandlot, it'd probably be enjoying a re-appraisal as a forgotten classic of the Gamecube library. Unfortunately, it's by Treasure, and like the aforementioned Wario World, it's one of those games that broke the spell they had over a lot of people around the turn of the century, by being merely okay instead of the excellent games we'd grown accustomed to them releasing. The biggest shame is that they don't seem to have ever recovered from this era. They haven't released any new games in over a decade (another kids' anime tie-in on 3DS, Gaist Crusher God), though they announced a comeback in 2022, we've seen nothing of that yet. Anyway, this game's pretty good, you probably won't regret seeking it out and playing it with the recent translation patch applied.