Arcana Strikes (Saturn)

 Because of how terribly managed the Saturn was outside Japan, very few of its RPGs ever got official English translations, and some of the ones that did were just used for some talentless hack's stupid comedy routines. But thanks to the brave and noble efforts of fan translators in the modern age, we're finally able to see some of the interesting exclusives the Saturn got in Japan, and Arcana Strikes is definitely one that's unique and worthy of note!

 

There's a few things that make Arcana Strikes unique, and at the core of a lot of them are the things the game doesn't have. Most important are the things it deliberately doesn't have: there's no items, equipment, no spells in the way that you might usually think of them, and strangest of all, there's no attack option in battle! All of these things are replaced with cards. You have a deck of up to twenty-four cards (and if you have fewer than twelve, the difference will be made up with useless spam cards), and they come in various categories. There's cards that just inflict an elemental attack on an enemy, cards that can buff an ally or debuff an enemy, and most important of all: cards that summon monsters to fight alongside you!

 

Every fight in the game will be against a main enemy who stands opposite your character. You both have a space at either side of you, into each of which you can summon a monster. Monsters will always attack straight in front of them: the monster on your left will attack the monster on your opponent's right (which is the left side of the screen, since you're facing each other), and vice versa. If a monster doesn't have a monster in front of it, they'll attack the main opponent directly. You have more freedom, and can attack anyone on your opponent's side, or use other cards for other effects. A battle goes on until the main fighter on one side is killed. Monster cards can be bought from shops, and there are also capture cards that let you steal them from opponents! 

 

Monsters also have elements assigned to them (though there are some neutral monsters), and of course, each element is strong against one other and weak against one other. Your attack cards are mostly also elemental, and if you have more than one of the same card in your hand, you can play them at the same time for more powerful attacks. To explain further, you have your deck of cards, and in battle, you'll have a hand of four of them. You have the option to play a card from you hand (or more than one if you've got multiples), recall a monster from battle, discard one or more card from your hand (you'll draw back up to four on your next turn), or play an arcana card. There are twenty-two arcana cards in the game, any you only get them on special occasions, like completing dungeons. You can play each one once per battle, and they have big effects like healing your whole team, damaging everyone one the playing field, and so on. Finally, each battle happens pretty much in isolation, as your HP and that of your monsters is restored after each one, and all cards (except the single-use disposables) are returned to your deck.

 

The arcana are what the plot revolves around, too: you're some random guy who was brought into the dream world to find and reclaim these twenty-two arcana who are meant to keep things balanced in the world, but have been stolen by monsters and other evil-doers. It's a pretty bare-bones, generic plot, and it's clear that the developer's focus was on the mechanics. While you do navigate the dungeons in a fairly traditional top-down manner, you don't get to do so in either the overworld or towns. The over world is a series of static map screens with dots on them representing towns and dungeons, and the towns are each just a single screen with a few characters stood in a row waiting to be addressed. 

 

The game's presentation is something worth talking about, too. First, it's clear that the artists were having a lot of fun with their computers: there's lots of very charming 90s 3DCG renders for things like the map screens, and the establishing shots you see before entering a location. Furthermore, the dungeons and the background for the towns are just full of every effect they could think of: garish translucent cloud effects, big shiny lens flares, and more! It's ugly, but in a very charming way. What's not ugly, though, is the spritework use in the battle screens! All of the monsters are detailed and all have their own attack animations, and on top of that, because of how the battles work, they all also have front and back versions of all of their sprites! Another really nice detail is that even when it does the traditional RPG thing of recolouring enemies, there'll be some slight other edits done to each variant. For example, there's a series of enemies that are like little elemental spirits. There's a bunch of them in different colour palettes representing each element, but they also have the element they represent growing from the top of their heads, so they're not completely identical palette swaps.

 

Unfortunately, for all its charm and originality, there was a very specific point where Arcana Strikes wrecked all the goodwill it had built up. That point is the start of the fifth dungeon. It's off to a bad start already, as the first four were a dungeon for each of the four elements, and this fifth is just another water dungeon like the first one was. Then, to make things worse, the jester character, who appears every now and then to introduce new concepts to you, turns up and tells you that from now on, you'll have to maintain two seperate decks, and to make sure you actually do it, you'll now have to fight every boss twice, once with each of your decks. I tried to persevere, but this knowledge weighed heavy on my mind, and I just had no more interest in playing the game, realising that it was going to continue gradually becoming more and more labourious as it went on. If you've got the patience for this kind of thing, maybe you'll find Arcana Strikes to be a rewarding game in its ever-increasing complexity. But for me, it was just too much hassle.

X-Treme Express (PS2)

 Unlike most games about driving trains, even the ones aimed at kids, or the ones in which the trains are just models, X-Treme Express (also known as Tetsu 1: Densha de Battle! World Grand Prix, though as far as I can tell, there's no connection to the Densha de Go! series, and it definitely wasn't developed or published by Taito) has no interest in providing a verisimilitudinal simulation of passenger train driving. Instead, it's not just a game about racing trains, but about aggressively racing them. What's interesting is that the developers made the wise decision that this premise alone was silly enough, and didn't feel the need to add to it. So you've got somewhat realistic-looking trains from around the world, racing each other in various locations that all look like they're in Japan, but no power up items or any other overtly videogamey stuff like that.

 

Being trains, you don't have complete control over where your vehicles go at any time. Instead, you mostly control the speed of your train, slowing down at corners to avoid derailment (or you can play on easy mode, where you can't derail youself), and changing tracks at switching points when they occur. That's where the aggression comes into things: time things just right, and you can ram into the side of one of your fellow competitiors, forcing them off of the track. Alternatively, if you've got a lead and there's another train close behind you, you can stubborn stay in front of them, never giving a chance to overtake in a much more mean-spirited way than if you were driving regular road vehicles.

 

An important thing for racing games is a sense of speed, and really, that's one of the first things that'll hit you regarding X-Treme Express: when you're going full speed down a straight bit of track (or any bit of track in easy mode), you're really hurtling along in a way that real life trains never seem to, and the fact that you are driving a train at such breakneck speeds really adds to the manic feel of it all. With the lack of steering in mind, other than managing your speed to stay on the track, and shunting rivals to knock them off of it, I think a big part of the strategy is to try and place yourself on lines that have more downhill parts than uphill, though its possible that this only provides a minor boost to your speed, if any at all.

 

As well as the main grand prix mode, there's also a free mode, where you can just ride a track at any time of day, and can even turn off opponents for a more relaxing time, there's also event races with special rules like "no shunting" or "shunt every opponent to win", both of which I think show how important aggression is to the game. You start the game with a choice of thirty trains and six tracks, but looking at the "game data" screen in options shows that there's apparently a total of eighty trains in the game, and ten tracks! Furthermore, when I went online to seek more information, I could only find a conversation that brough back memories of the Dragonball GT Final Bout myths that were going around circa the turn of the century: apparently if you complete grand prix with all eighty trains, placing first in every race with no retries, you can unlock a gun that lets you derail trains infront of you by pressing L2. That sounds like nonsense, and I'm definitely not the person who's going to go and find out either way.

 

X-treme Express is a unique little game, with a lot of idiosyncracies that make take a couple of goes to get used to, but once you do, you'll find that it's a fast, fun, weird game, and definitely worth your time. Maybe not hundreds and hundreds of hours of your time, but a few of them, at least. I'm surprised it doesn't come up in conversations about weird and interesting PS2 games more often, alongside the likes of Demolition Girl and Seigi no Mikata and so on. Maybe that'll change from now on, though? 

Cellophanes (Playstation)

 Something that's pretty interesting, but doesn't come along very often are compilations of fake old games. I think everyone can probably agree that the pinnacle of this concept is represented by the two Game Center CX tie-in games for DS, both of which being collections of faux-Famicom (Fauxmicom?), faux-Super famicom (Super Fauxmicom?), and faux-Mega Drive (I don't have a satisfying portmanteau for this one, sorry) games, most of which are good, or even great, and would have been worth buying on their own. Cellophanes (erroneously listed on some websites as "Serofans") goes back much further than the Famicom for its inspiration, though, being a collection of homages to the primitive, maybe even rudimentary beginnings of Japanese consumer videogames.

 

There are twelve games in Cellophanes, with their inspirations ranging from the mid-seventies to the early eighties. Five of them are very simple breakout-like games, with the first being specifically a clone of Nintendo's 1979 plug-and-play game Block Kuzushi (it's also from this and a couple of the other games whence the compilation draws its title: these games had black and white graphics, with colour provided by cellophane overlays to attach to your TV screen. Cellophanes obviously just has colour pretending to be overlays, such is the mighty power of the Playstation.). There isn't much to differentiate these five from each other. One of them has dancing penguins, another has vector graphics, that's about it.

 

Then there's a few games that are all somewhat unique (from each other, at least). Mystery Planet is a spaceship game with very heavy Asteriods-like intertia, where each stage has you avoiding walls, shooting enemies, and collecting numbered panels in order. Sea Fighter has you controlling a submarine at the bottom of the screen, shooting at a battleship at the top. Between you is a different set of sea creatures for each stage, each behaving differently: some just get in the way of your shots, some shoot at you, some move erratically so you constantly have to avoid them, etc. Carnival Hunt is just a clone of SEGA's 1980 arcade game Carnival. Dragon Walker is something a little like Zoom/Amidar/Painter, where you make squares by walking across lines and avoiding enemies. You can breath fire, but the meter that allows you to do so charges very slowly, and it doesn't score you any points. 

 

Finally, there are three recreations of old-style electro-mechanical light gun games, themed around cowboys, jungle animals, and tanks, respectively. These look a lot prettier than all the other games, since they're pretending to be old painted toys rather than old videogames, with the jungle game having some particularly nicely-realised animals (for you to repeatedly shoot and kill). There's a lot of talk online saying that these games are actually compatible with the GCon-45, which is cool, but which I'm not able to try out myself.

 

As well as the games themselves, there's an "Akiba Parts Shop" menu, which allows you to unlock extra options for all of the games, presumably the thematic conceit here being that for these early games, modifications would actually need to be done to the physical hardware for this kind of thing (like that one episode of That 70s Show where they mod a Pong plug-and-play). Iy is actually a shop, though, with the currency being total minutes played in the games. I didn't unlock much here, though, partially for technical reasons (my emulator would often crash when exiting games, so my playtime wasn't recorded), but also because there really isn't much to these games, and they largely just aren't very fun or compelling. A lot of the time, I'm bored long before a single credit has ended.

 

And that's really the problem with Cellophanes: the games aren't fun. They're chore-like, even. And they don't even invoke any nostalgic sentiment in me because I wasn't a child in 1970s Japan. Like, it's an admirable exercise in authenticity, and it's nice that it exists, but I just don't want to spend any time playing it, and if you're reading this, you probably won't gt much out of it, either.

Agartha-S (Switch)

 Agartha is a game that's been on my radar for a long time, and I recently got a Nintendo Switch, and it seemed like a good omen that it happened to be on sale for next-to-nothing the first time I was browsing the eShop on there. I didn't even know it had a console port! On first sight, it appears to be a generic indie 2D platformer with super low resolution graphics, but as soon as you actually start pressing buttons and playing the game, it reveals itself to be something far more interesting.

 

What makes the game interesting can be boiled down to two essential ingredients: the world in which it takes place, and the actions the playable characters can perform. The world is made up of various materials: water, dirt, rocks, lava, oil, steam, and so on. And the player characters can manipulate these materials in various ways. The first couple of characters you get to play as have temperature manipulation as their main way of interacting with the world.

 

They can freeze water into ice, or boil it into steam (and of course, steam can be cooled into water, too). Lava can be cooled into rock and vice versa, too. Water and oil can both be swam in, though you go a lot slower in oil, so you mgiht as well just burn it away if it's inconvenient to you. Later characters have more interesting abilities, like teleportation, the ability to push and pull stuff using telekinesis, wearing a hat, swinging around on grappling hooks, and more! There's some slightly more subtle stuff too, like the wizard having a lightning attack that's got a significantly longer range when used underwater.

 

The aim of each stage is simply to use your various abilities to find and reach the exit without dying (whether through taking damage, drowning, or suffocating), though occasionally there'll be a boss to kill before the exit opens. Furthermore, some stages will have a secret second exit that won't appear on your radar, and you'll get no indication that it's there, you just have to find it yourself. All the stages are laid out on a world map in the form of a grid, so suspicious empty squares on there might provide clues as to which stages might possibly contain extra exits. Though I've cleared most of the stages and filled in almost all of the map, I haven't completed the game yet, and I'm actually not sure what the ultimate goal is.

 

What I do know, though, is that Agartha (the S presumably referring to the console that plays host to this port) is a ton of fun, and I just keep going back to it, replaying stages to see how the different characters are able to get through them, and to look those elusive extra exits (and the rare gems that are needed to unlock more characters). It's a definite recommendation, you can get it on PC and Switch for a pittance, and it's totally worth it. Unfortunately, though, it's been out for a few years now, and it doesn't look like the developers, Kanagawa Electrotechnics Laboratory, have released anything since (though they have plenty of earlier games, including Virus Crashers, which I've previously reviewed).

Kunio no Nekketsu School Fighters (Mega Drive)

 I've really been enjoying the current rennaissance that the Mega Drive is going through. The past few years have seen new games getting released for the thirty-seven-year-old console, with even industry veterans like Yuzo Koshiro being involved in new games, the officially-sanctioned port of the original Darius released on the Mega Drive Mini, and even indie games like Xiaomei and the Flame Dragon Fist Master getting full cartridge releases with boxes and manuals (meaning that this indie game on an ancient console comes as a more complete package than almost all games on modern systems).

 

It's unfortunate, then, that Kunio no Nekketsu School Fighters is a fangame, made purely out of love for fighting games and for the Kunio-kun series in particular (and the love for both those things is very evident). Unfortunate because it's one of the best fighting games on the Mega Drive, and almost definitely the most fully-featured. It's got all kinds of stuff, that was uncommon, if not unheard of in the time when fighting games were being commercially released on Mega Drive: there's alpha counters, forwards and backwards dashing, dodge rolls, super moves, taunting, and so on. 
It looks great, too, with all the characters being really well animated, stages that show the passage of time between stages, and lots of cool little stylistic flairs like little manga sound effects appearing when attacks land, and so on. There's even unique pre-fight interactions for certain pairs of characters! All of this would be pointless if it weren't fun to play, which luckily isn't a problem. The fights are fast, the controls work perfectly, the characters all feel different to play, it never feels unbalanced or unfair. Really, the only negative I can think of to say about how it plays is that while everything it does is incredibly well executed, none of it is particularly original. It might have had more of its own identity if it had introduced at least one new or unusual mechanic.

 

Even that criticism is taking into account the fact that the game came out in 2025, and that we can all play hundreds of fighting games across many different host systems. Specifically as a Mega Drive fighting game, it definitely stands out from the crowd by having all of those aforementioned features coupled with the flawless execution, and if it had been released thirty years earlier, it would have absolutely blown minds. Obviously, it couldn't have come out thirty years ago, though, for many reasons related to both technological proliferation and socio-economic factors. I'm not certain on this, but I don't think there would have been many avenues for an independent developer in Brazil to make a commercial-quality fighting game for the Mega Drive in 1995, let alone for that game to be released to the world.

 

Which is why it's such a shame that this is a fangame! I'd love to be able to buy a real copy to play on my real (well, Chinese clone) Mega Drive, and which would make some money for the devs. Hopefully, they'll make more Mega Drive games in the future, and those ones belong solely to them, to sell as they will. Obviously, I very much recommend this game, especially since it's free/pay-what-you-want. I've enjoyed it a great deal, and I look forward to whatever the devs bring out in the future.

Karous (Dreamcast)

 You might notice that the screenshots on this review are a combination of arcade and Dreamcast shots. This is due to my own technological ineptitude, and it doesn't really matter, since I mostly played the Dreamcast version and that's what I'm writing about, and also they're identical anyway, the only difference being that the Dreamcast version has a fanmade English translation. 

 

Karous is from Milestone, a developer mostly known for shooting games, especially their late-release Dreamcast duology, Radirgy and this one. It came out a year after Radirgy, and the first two things you'll notice about it are how much it doesn't look like its forebear (Radirgy had a very colourful Akihabara-inspired look, while Karous goes for a moodier tone, with muted colours and lots of grey), and how much it appears to play like its forebear. 

 

Like Radirgy, Karous arms you with a gun, a sword, and a shield. The gun and sword are each assigned to a button, and the shield appears in front of you when you aren't using either of the other two. You also, like in Radirgy, have a forcefield that projects outtwards to protect you and continually damage any enemies it touches, and it can be used whenever a meter that incrementally fill every time you damage an enemy or cancel an enemy bullet completely fills up. You can even hit power ups and points items with your sword to change them into different things!

 

What's different, though, is the scoring system, which offers a stark contrast to that seen in the earlier game, which had you constantly trying to fill meters as quickly as possible and collect items and so on, and never taking a break. In Karous, the scoring system and the power-up system are linked. Whenever you use one of your three main weapons, they gain experience, and gradually level up (don't worry, it's still a completely linear STG, so there's no grinding and the levelling is more like Radiant Silvergun than an RPG), increasing their power very slightly every time. You also have a constant multiplyer that's made up of all three weapon levels combined. So again, like Radiant Silvergun: playing for survival and playing for score are one and the same. You want you weapons to be more powerful, and making them so is also how you score more points.

 

Though I was initially put off by the miserable look of the game, and the fact that the 3DS sequel/spin-off Karous: The Beast of Re:Eden was awful, but Karous is a game I just keep going back to! The basic Milestone mechanics are enjoyable as they are, and the ways in which it's less stressful than Radirgy have their own appeal, too. You should definitely give it a try!

Soccer Brawl (Neo Geo CD)

I've recently developed an interest in the extra features added to the CD versions of Neo Geo games, and I've long had an interest in the less popular games on consoles that are themselves pretty niche. Soccer Brawl, though it's definitely one of the less popular Neo Geo CD games, unfortunatelly doesn't have much in the way of extras. All there is is some short animations about an unlucky inventor trying to create a soccer-playing robot, that play as half time entertainment.

 

But the games itself is still pretty good! It's one of only three games developed by short-lived SNK sub-studio Pallas, with their most famous release also being a futuristic sports game, 2020 Super Baseball, which is more famous on account of it being ported to SNES and Mega Drive. Despite the name, though, Soccer Brawl isn't as violent as most future sports games based on soccer. There's regular tackling, as well as two other ways to hurt opponents: you if you don't have the ball, you can hold the kick button for a second and release it to fire an energy blast that can stun a player, and if you do have the ball, the same command kicks the ball super-hard (because all of the players are enhanced cyborgs, of course). This super-hard kick is useful for scoring goals, and for knocking down opponents. 

 

There's a couple of interesting things to note about the above, too. The first is that the game does have friendly fire for all forms of attack, so when things are crowded, you might want to be careful. Or alternatively, if you want to score, you might want to kick the ball with no regard as to who might be in the way. The other thing is that among the eight teams, there are four different kinds of super-kicks, there being two teams able to use each one. I think these are activated if you kick the ball at full strangth more than half the field's length away from your opponent's goal. These might have the ball moving in a big circle while on fire before shooting towards the goal, or the ball might split into to balls that dance around each other as they head toward the goal, and so on. Like a regular super-hard kick, these are very useful in both scoring goals, and incapacitating enemy players.

 

Like I said, it's a lot less violent than most games of this type. In all the games I've played, there's been no times where a player had to leave the game from being too beaten up, let alone players getting killed like you might see in some other titles. There is a nice little detail, though: players that have taken damage a few times will start to have smoke or electric sparks coming off of them, suggesting some damage death, or strain being put upon their cybernetic components. I don't think it actually has any effect on their ability to play, but it is a cool detail. I kind of want to say it's a shame that all the teams are just re-coloured sets of the exact same players (albeit with different supers and presumably different stats), but to be fair: we can't really expect a developer to ome up with eight teams' worth of individual characters from nothing, for a game in a genre whos players almost definitely won't notice or care compared to fighting game fans.

 

Soccer Brawl is a pretty fun game! The only big problems I can really accuse it of are ones that are kind of inherent to being a sports game of this type. If one team gets more than a few points ahead and there isn't much time left in the match, it's pretty much impossible for them to catch up, but there's no option to concede (or for the game to automatically end early if there's a score gap of a certain size). Furthermore, if you happen to be the player on the upside of such a score gap, you can pretty much stop trying. If the gap's a few points, it's very easy to get the ball and just run around doing nothing to run out the clock, and if the gap's more than that, you can just stop playing and do something else for a while. Still, I've had some fun with it, and it's a nice little, very nineties sci-fi sports game. 

N-Gauge Unten Kibun Game Gatan Goton (Playstation)

 There are a few ways I've seen train driving simulators displays things. Polygons are the most common, and there's also a few on less powerful hardware that do sprite scaling (or, on even less powerful hardware, there's imitation sprite scaling). There's also FMV, which I think is most famously used in the Japanese Rail Sim series on 3DS, which use as their graphics actual high quality video footage of real train journeys. 

 

N-Gauge Unten Kibun Game Gatan Goton (which is also listed on some sites as "Hassha Ourai! Gatan Goton") uses FMV, but in a move that possibly makes it the cutest of all train driving games, it places you in the cockpits of various model trains, travelling through actual footage of tiny little model towns with cardboard buildings and little plastic construction workers! Despite the use of models, though, I think it's still working under the conceit that you'r driving a real train, as the cockpits surrounding the window in which the FMV plays are unique to each train, and pretty detailed too. The levers and dials move when they're supposed to, there's a little light that comes one when you're meant to start moving, and so on.

 

It's all very cute and charming! The game itself is kind of constrained by being what it is. I guess the train enthusiasts who are the target audience for the genre want exactly one thing from these games and one thing alone: to drive a train in as close a manner to driving an actual game as possible. So, just like Densha De Go and SL De Ikou and all the others, you can control acceleration and brakes, and you've got to get to a series of stations along your route, making sure to keep to the speed limits, arrive as close to exactly on time as you can, and to stop at the exact line on the platform at which you're expected. It does have one difference that makes it stand out from the others in the genre, though: it's a lot easier!

 

Densha De Go, the most famous example of the genre is known for being completely merciless when players don't play completely perfectly. N-Gauge Unten Kibun Game Gatan Goton is a lot more forgiving, though: you can be up to ten seconds late when arriving, and you can go a few metres over the line without getting a game over. Also, on some stages, there's something strange that happens where another train will attach itself to your train and just drive you to the next station, with no input from you necessary. I don't know why this happens, or why you'd put in a part of your game where it essentially just plays itself for part of a stage. 

 

If you've enjoyed literally any other game in this genre, or if you've tried but found them too difficult, then you can probably already figure out if you want to play this one. If not, and you're interested, it's probably a good first game to try out. I've been really enjoying it, and the use of miniatures gives a unique and very appealling look. It's definitely worth your time, I think.

Air Diver (Mega Drive)

 I've started to unkindly describe Ace Combat-style 3D aerial combat games as "slowly following a little dot on your radar waiting until you can actually see and fire a homing missile at the enemy", and while that's pretty bad in actual 3D games with polygon graphics where you and the enemies actually occupy positions in a properly defined space. Air Diver bravely attempts to make a game in that genre using only 2D sprites, which aren't even actually scaling, since it's a Mega Drive game!

 

I can see why the developers wanted to try doing this: Afterburner II is a pretty good game, and it fared surprisingly well in its port to Mega Drive, so why not try putting together a game with the homing missile-based gameplay of Afterburner II, but instead of being a completely linear rail shooter, try and simulate a more realistic scenario, where the same enemy planes can fly all around you? The problem is that becuse this is a faux-sprite scaling game, you can only fly straight ahead, with the ability to kind of do a barrel roll or a loop being the extent of your maneuverability.

 

This means that when enemy planes fly behind you, all you can really do is a loop, to try and fly over and behind them. Or at least, that's what I thought, but this only puts the enemy in front of you some of the time. Similarly, enemies will often fly off to the side, and there's just no effective way to chase them there either. So even worse than chasing the little radar dots, you spend the majority of your time in this game waiting for the dots to place themselves within your field of vision.

 

Making this even worse is the way the stages are structured. There's three parts to each: first, you fight lots of regualr enemy planes, who all die in one hit. Then, a single super-plane, that's a different colour, and takes a bunch of hits to kill. Finally, each stage has some kind of gigantic futuristic sky fortress thing, that's so big it has to be portrayed as a background, rather than a sprite. The super-plane is the hardest of the three on all of the stages I've tried, as the fortresses just need you to constonatly shoot and move until they're dead. No chasing or aiming necessary!

 

Mentioning the fortresses makes me think that I should bring up the game's threadbare, but also absurd plot. A previously unknown terrorist organisation from the middle east has suddenly taken over the entire world. Despite being an unknown, unnamed organisation, they have hundreds (possibly thousands) of fighter planes, as well as the aforementioned giant sky fortresses. The only part of the world left unconquered is an airbase in the south Pacific, from whence a flying transporter containing your plane is deployed to save the world.

 

This does actually bring up a structural point to the game that doesn't make it more fun, but which is slightly interesting. You can tackle the stages in any order, and each one also tells you an estimated chance of success on the world map screen. However, your transport has a limited amount of fuel, and there is, according to the manual, a specific route that you have to figure out to be able to tackle every stage without running out of transporter fuel (which means an instant game over).

 

In case you haven't already figured it out, I didn't really enjoy Air Diver. It's a shame, because it looks kind of cool, and the soundtrack is pretty good, too. But unfortunately, it's a boring, frustrating chore, and not worth your time. I am kind of curious about the two sequels that apparently came out on SNES, though. Which that system's focus on scaling and rotation, maybe it's able to do a better job of realising the developers' ambitions?

Purified (PS Vita)

 

 This game apparently came out a while ago, though I only learned of it last week (and, to be fair, it does still call itself Ver 0.9, so I guess it's still not totally complete). Most PS Vita homebrew so far has been either ports of PC and Android games, or various utilities, with a few fairly small-scale games here and there, too. I don't want to diminish any of those things, they all contribute to making the Vita a fun console to own. But Purified has really blown me away. This could easily have been a full commercial release!

 

It's a third person shooter, with a very turn-of-the-century edgy mallgoth look to it, in which you play as a beefy space-catholic cyborg tasked with killing the endless hordes of demonic cyborgs and their possessed victims that are beseiging the last human city. This war takes the form of three survival skirmish stages, which can be played in any order. You pick one, and you fight against increasingly difficult waves of enemies and sometimes bosses. They aren't endless, as one of the stats tracked is how many times you've won each stage (though my total for all three is still currently zero), and I suspect there might be a secret fourth stage, based on some of the in-game text?

 

Which brings me onto the subject of what an amazingly complete package this game is! As well as the game's three main stages, there's also an optional tutorial stage, which is its own complete map with unique models and textures and stuff. There's a sound test, which lets you listen to the game's soundtrack (obviously), while looking at a rotating 3D model of a soundtrack CD case. There's even an ingame encyclopedia, with pictures and lore for every character, location, weapon, item, and concept in the game! And like you can tell from the screenshots, this looks like an actual game put out by a big company (maybe a game that was put out twenty-five years ago, but a big company game nonetheless). 

 

Is the game actually good, though? Yes! It didn't click with me at first, and a few aspects felt a little clunky, like how you can't just shoot, you have to hole L to aim, then press R to shoot, and you have to press a seperate reload button to reload, rather than the fire button doing it when you're empty. But after a few plays, the game's vision really became clear: you're this big heavy man-monster, you have to consider every action because the actions are weighty. This weight, of course, makes the actions all the more satisfying, and there's some great smaller design decisions that have been made that play into that. For example, the first few enemies in a stage will typically be these skinless people who are much shorter than you and not much threat at all, and those few seconds you get to spend casually walking around, thoughtlessly slicing them up with your melee attack are a very fun warm for what's to come.

 

I definitely recommend this game, I've been having a lot of fun with it, and I think it'll remain a mainstay on my Vita for a long time to come. An interesting thing about its distribution is that while you can get it for free from VitaDB, you can also pay what you want on itch, which I think makes it the only PS Vita game you can digitally buy in 2025! The only really negative thing I have to say about it is that one time I had to exit a stage via the pause menu because something went wrong, and no enemies were spawning!