Sion II (X68000)

It seems like the last couple of posts have been a bit negative, but luckily, this one has come along to buck that trend! Sion II is a game for the X68000 which was given away for free with a magazine in 1992, which is pretty amazing to be honest, for a couple of reasons, which I'll get around to shortly. Before I do, I'm going to make a point of mentioning that along with all its other fine traits, it's got an incredibly good soundtrack, right up there with Cho Ren Sha 68k as one of the best on the system.

Now, the reasons it's amazing that this is a coverdisk game I mentioned. Firstly, there's the fact that it's a fully-featured game, that could easily stand alongside any commercial games of the time, on pretty much any contemporaeous system. I mean, it's a fairly simple arcadey shooting game, but you know, it came out in 1992, and it has a proper attract mode and other little bits of presentation polish. It plays well too, but you know, there's been plenty of good games given away free on various formats over the years, but ones with these kind of production values are pretty rare.

The other reason you can figure out by simply looking at the screenshots alongside this review: it's a polygonal 3D action game on a 16-bit system in 1992. That's a year before Starfox hit the SNES, and two years before Virtua Racing on the Mega Drive. It's also two years before the better-known 3D X68000 shooter, the Jumping Flash antecendent Geograph Seal. The framerate might drop a little when things get busy, but honestly, even with that taken into account, it still feels like a technical marvel.

Anyway, yeah, as I mentioned, it plays pretty well. It's obviously heavily influenced by the Star Wars vector-based arcade games from the 80s, as you fly forwards, shooting enemies and avoiding their shots, with a first-person cockpit view. There's even a stage taking place in a trench! The trench is as far as I've been able to get, actually, as it features sections of girder-dodging, between shooting sections, and eventually the girders start moving. I've tried a few times, but I have not yet been able to proceed any further than that. But yeah, it's a simple 3D on-rails shooter, so it's very linear, but only an idiot would complain about that (like the guy who wrote the Panzer Dragoon review in Sega Power a million years ago). I definitely recommend playing it, or at the very least looking up the music on youtube.

Bermuda Triangle (Arcade)

Some of SNK's pre-NeoGeo games are well-remembered, and much-loved, like Athena, or the Ikari Warriors series. Bermuda Triangle, by contrast, is neither remembered or liked. This is half an injustice, as though it definitely doesn't deserve to be liked, it should at least be remembered for being one of the most bizarrely-designed shooting games there is.

To start with, it uses a rotary joystick, which is only strange from our modern point of view, because no games have really used them since the late 80s, which is when this game was released, and when SNK had a minor fascination with the device, releasing (as far as I'm aware) more rotary joystick-controlled games than anyone else. But as I said, it's only a starting point, and though at first glance, Bermuda Triangle looks like a generic late 80s shooting game, it has a whole bunch of weird gimmicks thrown in.

So, your ship. The first thing you'll notice about it is that it's huge, big enough that avoiding enemies and their shots is a lot more difficult than it is enjoyable. Then, as you play, it'll keep changing form. This is because your health bar and the power of your weapons are linked: when you collect power ups, you gain health, and when you get hit, you lose power. When your ship gains or loses enough health to have its weapon power go up or down, it also changes form. Coupled with the fact that your ship is huge and will be getting hit a lot until you get used it, along with the fact that power ups appear seemingly at random, this all adds up into a baffling experience for the first-time player. With this, I can at least see what they were trying to do here: the idea of a form-changing ship is pretty cool, and the concept of weapon power and health being linked makes sense from a thematic standpoint, if not one of game balance. It's just the execution and a lack of explanation that really let the game down here.

Bermuda Triangle's other big weird mechanic is the way you play through the stages. First, you fly up the stage, like you would do in any other vertically-scrolling shooter. But then, you reach the top, and start going backwards, back down the stage, still fighting off enemies (using the rotary joystick, or whatever substitute you've configured for yourself in MAME to turn your ship's gun around). THEN, when you get back to the start, you fly up the stage a second time, with different enemy layouts than the first time, and at the end of this run, you fight the boss. It does this for every stage, and I really have no idea what the developers could have been thinking with this. Was it a way of trying to force players to change their firing direction? Was it just an attempt at making stages longer without having to draw more background graphics? Whatever the reason was, it falls on its face. It's annoying, it doesn't make any sense, it's a bad move all round.

I really can't recommend playing Bermuda Triangle, and I find it strange that it was released. It feels like some kind of experimental game that might have been made internally to try out a bunch of ideas the devs had, but it was actually released into arcades, though presumably, not many, and not for very long.

Savage Skies (PS2)

Some concepts are so obvious that you can't believe that hadn't been done earlier, and Savage Skies is one of those very concepts: a fantasy combat flight sim, with mythical creatures instead of fighter jets. It was apparently going to feature Ozzy Osbourne early in development, too, which probably would have got it a bit more attention. (More than none, I mean. I'd never heard of this game at all before picking up a copy for next-to -nothing on a whim  few weeks ago.)

We might never know what the Ozzied-up version of the game might have been like, but the version we got has a pretty boring, generic fantasy plot, about a good kingdom and an evil horde and another horde that's neither good nor evil but they are weird-looking, and they're all at war with each other. You can pick any one of the three to play as, and they each have a series of missions to fly, as well as their own unique set of monsters. You don't get to pick your monster, though, each mission has one set to it. On the plus side, this means that there are a lot of them and they're all different, both visually and in the weapons with which they're equipped.

The good guys are the least interesting, having a fleet mainly made up of the obvious fantasy suspects: dragons, rocs, pegasi, and so on. The weird faction have weird steeds: flying eyeball monsters, flying manta rays, and other non-mammalian-looking monsters. The bad guys, of course, have typically evil-looking rides: giant bats, a giant locust made of bones, and my favourite of all the monsters I've seen so far, a giant flying rat armed with "vomit spray" and "plague breath". I love how childishly disgusting that guy is! I should also make mention of the stages themselves, which look amazing: mountains and deserts and huge majestic castles, the developers really made the most of the setting, giving you lots of picturesque locales to fly around and over that obviously would never appear in a traditional flight sim.

Anyway, it's not all fun: none of the monsters I've ridden so far have homing weapons, and the enemy flyers take a ton of hits before going down, so unfortunately, this means you spend a lot of time flying round and round in circles chasing an arrow at the edge of the screen pointing towards your nearest foe. Not every stage is like that, though, and some of the monsters do have weapons that make the process a lot less painful, like high-powered close-range breath weapons, or weapons that slow the enemy's movement. There is a level skip cheat, though, and I've found the best way to get the most enjoyment out of Savage Skies is to just skip a stage as soon as it gets boring or frustrating. When the game told me the next mission was a race, I skipped right away. There's something incredibly frustrating and joyless about race missions in non-racing games.

So yeah, Savage Skies is a game that mainly stands on the twin pillars of looking really nice and having a great concept. If I'd paid full price for it, I probably wouldn't be happy, but for the prices it goes for nowadays, you can totally have a lot of fun with it in conjunction with the level skip cheat.

_____ (PC)

Okay, so obviously, this game's title isn't five underscores, it's the string of characters you see in the title screen above. But all the text in this game, including the numbers, is in an untranslated (possibly untranslatable) alien language. The name entry on the high score screen will let you know that there's twenty-eight letters, and I haven't gone out of my way to count them, but I think there might actually be more than ten numerical digits, too. The game's .exe is called "_____.exe", though, and I think some people online refer to it as "Platine Dispositif's Comiket 87 STG", too. (It does have the typical PD graphical style too, with cute female characters and soft-looking colourful bullets).

Anyway, other than that bizarre presentational choice (I wonder if it was done as a kind of accessibility thing? Like, instead of having multiple language options to make the game accessible to everyone, use an alien language to make it equally inaccessible to everyone?), it's a fairly traditional vertically-scrolling shooter, with the Star Soldier games being a clear design influence: there's a time-limited caravan mode, and the stages are full of passive collections of destructible blocks to get points. There's also stages, bosses and enemies that feel like they might be homages to other classic shooting games, like Xevious, Sylvalion, and so on.

There's a few interesting mechanics and systems in play in the game, though. The first one you'll notice is the weapons system: as you collect power ups, you get an increasing amount of options attached to your ship. You have a button on the controller for changing the formation of these options, with multiple possibilities available, depending on which direction you press on the d-pad when pressing the change button. There's also secret items hidden around the stages (revealed by shooting them, another clear Star Soldier influence) that give you more formations to choose from. The problem is, 90% of the game will only have you ever using "all the options pointed stright forward" and "all the options pointed straight back", making the rest of them a bit useless. Though I guess the alternative would have been to have the player constantly switching between different formations, making the game a fiddly annoying mess to play.

The other big mechanic is also the main way to score big points, and it's a lot more fun than I can probably make it sound. When power ups are on screen, and you fly near them, they'll get magnetised and home into your ship, and if you let go of the fire button, the distance from which this happens is greatly increased. This is a pretty common idea, really. The difference here is that your ship can move slightly faster than the power ups, and they often appear more than one at a time. Furthermore, every frame you have a power up following your ship, you get points, and obviously, the more power ups following, the more points you rack up. So with a bit of skill, you can have sizable clusters of power ups hovering around your ship, generating tons of points for you.

There is a tactical advantage to doing this too, however: when your weapon's at max power, collecting another power up gives you a few seconds of even more powerful shots. So, if you're maxed out, and there's a boss coming up, you "save" any power ups floating around so you can unleash your full might on the boss, instead of wasting it on the empty few seconds before it appears. I've said "power ups" far too many times in this review so far, but there's still a few more mentions to go, as there's also a upgrade shop in the main menu, that uses the power ups you've collected during play as currency. You'll be glad to know, though, that you can't make entries into the high score table if you're using upgrades, they can be turned off once bought, and they never affect the caravan mode.

In summary, this is a really great game, with an incredibly unique presentation, and it's highly recommended. Don't worry about navigating menus in an alien language, either, as there's nice friendly pictograms showing what things do too. Also, this is the first physical release of a doujin PC game I've ever bought, and it came in a really nice custom package made of think, sturdy card, with the art on the disc fitting perfectly with the art on the surrounding parts of the packaging. In an age where billion-dollar publishers only do the bare minimum in presenting their £60 physical releases, seeing a tiny company making such a high-quality item for their 1500JPY game is really nice.

Diet Family (Arcade)

When I first saw this title, and the fact that it was made by the Korean company Semicom, I was instantly interested. This was mainly because, as I've covered before, Korean arcade games aren't always completely original, and I thought that it might at least be a fun knock-off of the excellent Data East game Diet Go Go (which I covered on this blog many years ago). It's actually a totally original (as far as I can tell) Galaga-style shooting game, with a bit of an unhealthy approach to weight loss as its main theme.

So, you play as one of five characters (and if they're a family, as the title suggests, then it looks like it's two daughters, mum, dad and their weird blue cat thing), and set out to destroy/avoid food, and eat only the tasty diet pills. Yeah, that's a bit weird and unpleasant, isn't it? I mean at least Diet Go Go had the protagonists dressed like they were going to do execise too, and the food that evil scientist was giving out was all massive cakes and legs of meat.Most of the food in Diet Family is pretty healthy stuff like fruits, vegetables and sushi!

But all that aside, the game is at least full of interesting ideas mechanically. For example, scoring and obtaining power-ups relies heavily on the game's comboing system. Unusually, that system focuses entirely on accuracy, rather than the more typical speed, as your combo counter goes up for every one of your bullets that hits an enemy in a row, and resets if one of your bullets flies offscreen. As the combo gets longer, more and more items and power-ups will make their way down the screen to you. It works fairly well, though the requirements to get a power-up for your weapon are incredibly steep, needing twenty sucessful shots in a row. On the other hand, as you get further into the game, there are more enemies coming at you in thicker patterns, so it does get easier to rack up big combos as you go along.

The way your lives work is different, too. You have three lives and an energy meter. If you take a hit, the energy meter decreases, depending on the strength of the enemy that hit you (you're told the strengths of the different enemies at the start of each stage). It goes up a tiny amount for each diet pills you collect. If it decreases past the bottom of the bar, you'll lose a life, your sprite will get fatter (though this is only cosmetic, you aren't slowed down or anything), and the energy meter will be back near the top again. If you collect enough pills to make the meter go over the top, and you've lost at least one life, you'll get another life back, though the meter will be back at the bottom. So it's easier to claw lives back than in most shooting games, though you are limited to a maximum of three (plus a full energy meter).

Saying whether or not I actually recommend Diet Family is a difficult one: though I didn't personally find it to be a very enjoyable game to play, I can also see that it's definitely competently made and designed, and someone with more patience for its accuracy-based mechanics could very well get a lot of fun out of it. What a terrible, fence-sitting conclusion!

Mimizu Panzer (PC)

This is a game I first read about on Insert Credit over a decade ago, back when it used to be a news site, though I only actually got round to playing it fairly recently. It's a single-screen shooting game in which you control a long, segmented millipede-like tank, destroying gun turrets in the desert. That ancient IC news post made mention of the plot placing the player in the boots of a moe version of a Nazi tank commander in World War II, though I guess either it's an incredibly loose interpretation, or they based that post on an early version, and all that stuff was replaced with more generic moe girls for the final release.

On first play, Mimizu Panzer seems slow, boring and hard, and the scores seen on the high score table seem unreachable compared to the scores you'll be getting. Most of these things will change once you work out all the little tricks to how the game works. Firstly, there's the length of your tank, which affects things in various different ways. You start with four segments behind your head tank, and gain one for every enemy you kill. Furthermore, only your head can be hurt, and all the other segments stop enemy bullets. If you lose a life, you also lose half of your segments (not including the first four). Some of the segments have holes in, and those holes glow when hit by enemy bullets. If you shoot one of the glowing hole segments with your own bullets, it'll start shooting flames from one side, which is the key mechanic you have to master to get anywhere in this game.

The most obvious thing about the flames is that they're significantly more powerful than your normal shots, which is important, as all but the weakest of the enemy turrets can take a lot of punishment before going down. At the same time, though, they're also significantly harder to aim, unless you pre-calculate the path you want your tank and its fiery emissions to take before letting them off. The other thing the flames do is vastly increase your scoring potential: enemies killed by shot have pretty small points values, while enemies killed by flame have their points value multiplied by the number of extra segments (again, discounting the first four). It's really got everything a good score system should have, in that it rewards both skillful use of the game's main mechanical gimmick, plus it rewards staying alive, and even more than that, it makes staying alive a more difficult task the longer you keep it up (since you have to avoid crashing into yourself and the sides of the screen on top of everything else).

The only real problem with Mimizu Panzer is really more a problem with myself rather than the game, and it's the fact that it's really difficult. To get a decent variety of screenshots for this review, I had to resort to continues and even the game's pre-recorded replays to get a look further in the game. I will say this in its favour, though: even as hard and frustrating as it gets, it doesn't stop being addictive. I've whiled away hours trying to get just one screen further while playing it for this review. It's for that reason that I totally recommend Mimizu Panzer, and I say that it's a shame it languishes in the obscurity inherent in being a years-old Japanese PC game, and will probably never get an official western release, and is even less likely to get the audience it deserves on consoles.

G-Type (PC)

G-Type was actually one of the first doujin shooters i ever played, back in the mid-00s. Unlike other games from that period, like Warning Forever or Dan! Da Dan!, it's not one I ever went back to in the years between then and now. That's not to say it's a worse game than those two (well, not significantly worse, anyway), it's just that comparatively, it's a lot more old-fashioned and slower paced than those games, and obviously I'm one of those impatient millenials that needs everything to be fast and flashy all the time. Well, my shooting games, anyway.

There's a good reason why this 2002 game is so slow and archaic, though: it's a loving homage and fusion of those two elder statesman of the shooting genre, R-type and Gradius. Later on, you even get to fight weird fusions of bosses from those two games and the Darius series, too! How it works is that the stages are mostly Gradius-like in design, and your ship is clearly a variant of the classic R-9 Arrowhead. The power-up system is the most coherent fusion of the two games, though. You collect generic power ups that each advance a counter at the bottom of the screen by one, and you press the second controller button to activate the currently highlighted power-up. So far, that's Gradius, right? The twist is that when you start the game, the fourth option is "Force", and the fifth and sixth are blank. When you choose force, the force floats onscreen and the last three power up options become "M-Way", "Laser" and "Burst". Laser refers to the blue power-up from R-Type, the three-way lasers, M-Way is a weak and boring multi-way shot, made pretty much redundant by the laser serving the same purpose, and Burst is the burst missiles seen in some of the Gradius games.

As well as the two big stars, there's also some homages to the Darius series in there! Firstly, the third stage, taking the form of the traditional R-Type battleship boss/stage takes place over a fire planet that periodically spits out firballs, like the first stage of Darius II. The fourth stage also takes the form of a boss rush, during which your opponents take the form of fusions of classic Darius, Gradius and R-type bosses.

You're probably wondering by now if there's actually a good game under all the homages and nostalgia, and there is. Like I said earlier, it's pretty slow-paced by modern standards, but it's still a lot of fun. It also looks great, with nice, chunky sprites, and a kind of high-contrast colour style reminiscent of R-Type Leo. The difficulty's also perfecty pitched: not too hard, and not too easy, and if you want to see a little further in the game (like if you want to take more screenshots to put in your review for example, ahem), you can start a new game from any stage you've previously reached. A good tip is to obtain and power up your force as early as possible, since when you lose a life, it stays behind with all its power-ups intact. This might be a little inauthentic, but it's also a pretty good way of alleviating the slippery slope that was prevalent in both R-Type and Gradius, whereby you lost all your power-ups on death, leading to rapid loss of the rest of your lives. If I remember right, didn't Gradius V do a similar thing with Options a couple of years later?

G-Type is a pretty good game, and a nice homage to its spiritual progenitors. If you're a fan of either of them, I'd recommend giving it a shot. Some advice though: you'll need to use JoyToKey or a similar program to use a controller, no matter what the options screen might suggest, and the only display options are a tiny 320x240 window and the same resolution stretched to fullscreen. That sort of thing doesn't bother me, but I know that some people are gigantic tedious snobs when it comes to that stuff.

Tokusou Kidoutai JSWAT (Saturn)

In the early days of the 32-bit era, there was a lot of experimentation going on, thanks to the fact that everyone now had access to things like texture mapped 3D and the ability to save games without increasing the price of the game itself (because of the cost of the battery needed to save in cartridge games) all in their very own home consoles. New genres were born, and other genres that had previously been confined to PCs in a time when very few people had them at home were made available to the masses. One of the latter genres being the first person shooter.

Now, for some reason, there aren't many Japanese-developed first person shooters, and the ones that do exist tend not to be very popular. Some of them, like JSWAT, don't really deserve to have been popular. I'll admit that there are some things I do like about the game, like the fact that it uses live action FMVs between stages to tell its story, and that those sequences do manage to be pretty seedy and grimy thanks to the harsh lighting and general dirtyness of how everything looks, in a case of a low budget working in a production's favour. There's also the fact that all the game's bullets are actual visible projectiles, rather than the invisible hitscan situation as seen with things like Doom's chainguns, for example. Of course, this also means that all the shots move pretty slowly, giving you and the criminals ample time to dodge bullets like some kind of superhuman. Another thing I like (or at least find mildly interesting) about the game is that the graphics mix full 3D (though very blocky and simple) environments with Mortal Kombat-style digitised sprites, which I guess helps maintain some small amount of aesthetic coherency between the people in the cutscenes and the people in-game. Though the in-game sprites are so low resolution, until you get up close they mainly resemble vaguely humanoid greyish blobs, which ruins the effect somewhat.

There's a few attempted concessions to realism, too. For example, you start each stage with a certain loudout of weapons with limited ammunition (you can choose these, but it's simpler to just pick the "auto" option), and you can only reload a weapon when its current magazine is empty. The game also tries to bring things into full 3D, making you actually aim your weapons vertically, as opposed to the "infinite height" enemies of games like Doom. Unfortunately, the way it does this is incredibly clunky and awkward: to aim, you hold the Z button, and move your crosshair around the screen with the D-pad. It'll stay in whatever position you put it in as you walk around until you tap Z again.

JSWAT also tries to complicate the first person shooter beyond just killing all the enemies and getting out of the stage. Since you're a member of the eponymous Japanese police squad, you're given missions, like rescuing hostages and finding illegally smuggled weapons and so on. This would be something I could count totally in JSWAT's favour, were it not for the fact that no matter what I do, I can't get the second mission (the aforementioned gun smuggling one) to end. I don't know if this is just a poorly designed stage with some obtusely hidden gimmick somewhere, or if, yet again, my Japanese illiteracy has caused me to miss some vital part of the mission's briefing.

All in all, Tokusou Kidoutai JSWAT is a game that's very ambitious, but not very fun to play. Even if i was able to get past the second mission, I think the clunky controls and general slow pace of the game would have stopped me from getting much further into it before boredom and frustration set in. I know the Saturn port of Doom is supposed to be pretty bad, but the console's also home to Quake, Exhumed and Duke Nukem 3D, all three of which it does an excellent job of hosting, and all three of which you should definitely play before you resort to this.

Griffin (Game Gear)

Griffin has a few odd similarities to a game I reviewed a while ago, Pop Breaker: they're both Game Gear games about tanks, that are decorated (the games, not the tanks) with inconsequential pixel art of anime girls. Seperating them, however, is a much bigger difference: while Pop Breaker was a bit of a shooting/puzzle hybrid thing, Griffin is a pure shooter.

Some commendation should actually be offered to Griffin's devs, even, as they've clearly made a pretty valiant attempt at recreating the essence of contemporary arcade shooting games in 1991 on the humble Game Gear hardware. There's power-ups, screen-clearing bombs, and even a second, significantly more difficult loop that starts right after you finish the game. Between each stage, there's also some fullscreen art of your tank's female pilot after the first three stages, with the fourth and final stage being followed by the text telling you that the next loop is about to start. Frustratingly, I got right up to the final boss of the second loop before dying, so I can't tell you if there's an ending there or another loop. Sorry.

Anyway, it's a tank-based vertically scrolling shooting game. You roll up the screen, shooting enemies, avoiding bullets, and so on. Nothing really innovative on show, except for the aforementioned courage in making a game with the same design principles as then-current arcade games specifically for low-powered handheld hardware. There is one neat little graphical trick on show regarding the bosses, though. The parts of the boss you actually fight are very small, like the arms of a giant robots, or the cannons of a battleship. These aprts would be sprites, while the main, non-interactive "body" of the boss was part of the background. This meant the game could have you (appearing to) fight huge enemies, albeit huge enemies that are almost totally static. There's also one stage that only appears in the first loop where you pilot a squat, unaerodynamic-looking plane instead of a tank. This stage is the worst part of the game, having a repetitive, ugly background and incredibly boring enemy patterns. I assume the developers realised this and decided to leave it out of the second loop (but I guess they needed it to pad out the first?)

Griffin's a pretty good game. I won't say it's the best shooter on the Game Gear, as I know there's a port of Galaga 88, as well as two specially-made Aleste games, which are all probably better than it (though I haven't played any of them yet), but it is a pretty good one and definitely worth a look.

Scorpius (X68000)

As you look through the screenshots for this post, you'll notice that they're mainly from the first two stages. That's because this game is brutally, incredibly difficult, and though some of the difficulty comes from stupid, unfair design decisions, such as obstacles that are impossible to avoid without foreknowledge of their location, a lot of it does simply come down to the fact that Scorpius is just a game that just seems to be designed entirely around the player's tears.

It's a horizontally-scrolling shooting game, and the gimmick that gives the game its title is that each of the three ships has a retractible scorpion-like tail that extends from their rear. The tail fires shots from the end, though aiming it takes a fair bit of getting used, as the tail moves in a manner vaguely similar to (though much harder to get the hang of) your dragon's tail in Irem's 1989 arcade game Dragon Breed. You can also put the tail away, and shoot normally, which is the best thing to do in most circumstances. Don't, however, neglect to learn how to control the tail, since it becomes absolutely vital to survival as soon as the middle of stage 2.

The game's big claim to fame is that it was put out by Shinseisha, the publishers of the legendary arcade magazine Gamest. It's clearly was a labour of love, too: the graphics and sound are both of a very high quality, especially when you take into account that this was a 1991 release, it could easily have come out two or three years later and still fit in fine among its contemporaries. Of course, the other side of the coin is that it's definitely made solely for an audience of super hardcore arcade fans. There are no concessions or allowances made for players who don't have either the skill to play well, or the fortitude to learn. I have to admit that I eventually fell short on both counts. Scorpius is just too hard for me! I had to give up after a straight hour's play, I managed to get to the third stage, then losing all my remaining lives within seconds. I'm ashamed to say it, but I was almost in tears.

It's easily much more difficult than even more modern danmaku-style shooting games, but with that level of extreme difficulty comes the physical sensation that comes along with all the best shooters. While reaching and fighting the second boss, I was on edge the whole time,feeling immense pressure and tension, followed by incredible, though brief, relief when the stage was done. All I can say is that if you want that kind of feeling, and you think you have the fortitude to stick with the game, and push through the trauma it inflicts, Scorpius is one you should seek out. No-one will think any less of you if you don't, though.

Flame Gunner (Arcade)

The quick and easy way to describe Flame Gunner would be to say it's like a mix of Taito's Dead Connection and SEGA's Virtua Cop, with a couple of extra flairs of its own. Like Dead Connection, the bulk of the game has you in single-screen areas, shooting lots of badguys coming from all sides of the screen as quickly as possible with an automatic weapon. The similarity to Virtua Cop is a little harder to explain, and a little more tenuous, but I'll try: before they actually shoot at you, the enemies in Flame Gunner will have blue lines projecting from the ends of their guns, showing where they intend to shoot. After a second or two, they'll settle on a direction, and the line will turn red, giving you a very small amount of time to get out of the way before they pull the trigger. It might just be me, but that seems a lot like the colour-changing target circles in VC (as well as a couple of other SEGA lightgun games).

Unlike Dead Connection, though, Flame gunner doesn't have charmingly tiny sprites and and detailed pixel art backdrops. Instead, it takes the very mid-90s approach of placing polygon model characters on top of mostly-static pre-rendered backgrounds. I'm sure there's been other arcade games that take this approach (and obviously there are a ton of console games from the period that do it), but none come to mind immediately. It's a good look, to be honest, and it means that MAME does a much better job of running than most full 3D games.

By now, you might be wondering what the "extra flairs of its own" I mentioned earlier might be. Well, there's two of them, and they're kind of connected. Each of the three characters has a different starting stage, and after you finish it (and after you finish ever subsequent stage), you get to choose the next stage from  a shortlist of two or three options. The choice of stages isn't just a choice of favoured locations, as each stage has its own mission, from the obvious "kill all the enemies" to things like destroying a minimum amount of objects within a time limit while an endless stream of enemies come in to try and kill you. There's also the odd boss fight here and there, too, though they're a bit boring and disappointing to be honest.

The weird thing about this game is that I've actually lost more credits to (very narrowly) failing to complete missions within the stringent time limit, rather than being killed by enemies. After a few games, though, I started to figure out the easier missions, and can get pretty far into the game on a single credit now. Flame Gunner is a fun game, and definitely worth having a look at. It's just a shame that, as far as I can tell, it's the last game by the developers GAPS, and their only action game. If anyone knows any better, please let me know!