Hokuto no Ken 2: Seikimatsu Kyuseishu Densetsu (NES)

I wasn't aware of this when I started playing this game, but it did actually get localised and released in North America as Fist of the North Star, despite covering a part of the series that wouldn't get an official tranlation until many years later. But the JP version is the version I've played (since I picked up a real copy of it to play on my portable Famiclone), so that's what I'll be talking about. I haven't played the western version, but the reviews on GameFAQs all seem to be describing a completely different game to this one: one where the player has an infinitely regenerating health bar, and the first stage is an endless maze of secret rooms.

Anyway, it's a fairly standard single-plane beat em up in which you play as Kenshiro, and you go from left to right punching goons, until you get to a boss, who needs to be punched several times. A nice touch is that regular enemies and bosses alike will get a cool little death animation where they stand in place getting all warped and distorted for a second or two before shattering into many little pieces, just like in the show! It's a lot more effective than the deaths in the Mega Drive Hokuto no Ken game (also known in its mangled form as Last Battle), where the enemies just kind of fall backwards and turn into a little red splodge.

Anyway, once you figure out the little things like the power ups (tiny words float out of dead enemies. Collecting them increases your power, which mainly improves your movement and attack speed. Every twenty dead enemies fills up another meter bit-by-bit, and when you're at full power, your jacket explodes and you can toplessly shoot slightly useless projectiles) and the game's idiosyncratic collision detection (basically, only the tip of your fist/foot can hurt enemies, and only if it's touching the edge of their sprite), this is a pretty enjoyable game. Smashing enemies to bits is nice and satisfying, and all the bosses and sub-bosses have their own techniques and strategies. It's nothing special, but it's a fairly fun little romp.

What I like most about the game, though, is the way it looks. I've already mentioned the enemies' death animations, but Kenshiro himself has a very distinctive little sprite, the bosses all look unique, the backgrounds look like the gritty post-apocalyptic stone fortresses that they are, and so on. Anyway, it's by no means a classic, but it is a game that holds enough fun to justify the miniscule price it fetches online, and if you like super low resolution sprites and/or Hokuto no Ken, it's definitely worth a look.

Binary Land (NES)

First, I should mention that I was sent a physical copy of this game as a gift, by patreon subscriber Matt Sephton. So thanks! Anyway, the thing with most maze games is that the maze itself isn't the main source of the challenge. It exists only as a confined place that you have to navigate round while avoiding enemies (and also ensuring that the enemies don't trick you into trapping you between them). The obvious reason for this is that a straight-up maze-solving videogame probably wouldn't be very fun, significantly less than solving mazes on paper, even. Still, the developers of Binary Land decided to have a shot at making a maze game about mazes, though they did it with a gimmick in mind that wouldn't have been possible on paper.

That gimmick is that the player controls two characters at the same time, with one of them having their horizontal controls reversed. They're each on opposing sides of a wall, which also has two different mazes at either side. The objective is to not only get the two penguin protagonists to the top of the screen, but they each have to occupy the spaces directly at each  side of a caged love heart at the top of the screen.

Obviously, there's various obstacles in their path, besides the difficulties you'll face in trying to get the two penguin lovers in just the right relative positions to end the stage. First off, there's spiders and their webs. You can kill the spiders and disperse their webs any time with your attack, though of course, you have to keep an eye on both sides of the screen all the time, as while one penguin is fighting off enemies, the other could be blindly walking into them. The webs are stationary, but if one of your penguins gets stuck in one, they're rendered totally immobile until the other comes over and gets them out.

Later on, more enemies appear, naturally. I've been able to get up to about stage fifteen or sixteen, and in that time, the spiders have been joined by birds, who can fly over the whole screen with no regard as to the walls, and, on contact, switch the positions of your characters. There's also little sentient fireballs, who slowly meander around the place, kill on contact, and unfairly, can't be killed.

Binary Land is a pretty good game, and as I said, it's fairly unique in that it's a maze game that's actually about solving mazes. It's also very cute, and one of those romance-themed games that were a thing in the mid-1980s and haven't really been since, so give it a try.

Onyanko Town (NES)

Traditional top-down maze games aren't very common any more, and they haven't really been since the 80s. When a new one does arrive nowadays, it'll often have a deliberate Pac-Man-inspired abstract "retro" aesthetic. Onyanko Town, released in 1985, eschews this idea, though. Probably because it was released soon enough after the Pac-era that an abstract look would have just looked old-fashioned, rather than retro. What it has instead is a cosy, friendly-looking Japanese Suburbia setting, and in that we might find two reasons for the wane of the maze game genre: that with the level of detail available on the consoles coming to prominence in the mid-1980s, there weren't many different possible ways of presenting a top-down maze, and the other reason being that towards the end of the decade, the kinds of settings that were commonly being used for videogames in general were largely narrowing down to mainly sci-fi, fantasy and military settings, to appeal to the nerdy audience that were buying a lot of games. (Yes, I know there are plenty of exceptions to this trend, but those kinds of settings definitely started to become the vast majority at around that time, and it's only recently starting to go the other way).

Anyway, you play as a mother cat, in a dress and apron, who has to roam the streets of her neighbourhood looking for her wandering kitten while avoiding the unwanted attention of all the loose dogs. Luckily, this cat has been gifted with a ery specific kind of telekinesis with which she can defend herself: if she's facing a manhole cover, and there's no barriers between her and it, she can open and close it from a distance. She's also a very talented jumper, being able to jump over any hedge, wall or house, as long as it's only one block to the other side. She can't jump while carrying a kitten, though. Thusly, each stage is sort of split into two halves: the first, in which you have your full range of movement options, and the second, after picking your kitten, which sees you trying to safely get back home minus your ability to jump. There's no time limit, though, so if you can repress your natural desire to progress, you can meander around the first stage forever, tricking dogs and collecting items for points

But this is a game that gets more fun to lay the more you learn about it and the better you get at playing it. When I first started playing, it seemed to me that your score mainly relied upon the thousand points you get upon completing a stage, as you only get ten points for making a dog fall into a manhole. Then I realised that you get a lot more points if you close a manhole after a dog's fallen in, andthis amount increases dramatically for each subsequent dog that falls in before you close it up. There's also points items that appear in the driveways of certain houses, like jewellry, cakes and cars, and in two houses on each stage, there's a fish in the driveway, just waiting for a cat to come and steal it. The fish is of course, the traditional maze game temporary power up, speeding up your movement, and allowing you to trample over dogs for fifty points ago for a limited time. It's a double-edged sword, however, as taking it also summons an angry, cleaver-weilding fishmonger who'll chase you until the end of the stage or your death, so you really have to think tactically about when and if you want to take the fish. There was one occasion when the kitten, a fish and home were all within two screens' distance, but so were five dogs all clumped together, and no well-placed manhole covers. It was very satisfying to get the fish, steamroll the dogs and dash home with the kitten.

So in conclusion, Onyanko Town is a game that will first appear to be slow, frustrating and tedious, but put a little bit of time into learning its ways and its systems, and it'll become a lot more rewarding.

Musashi no Ken - Tadaima Shugyou Chuu (NES)

Based on an 80s anime of which I'd never heard prior to playing the game, Musashi no Ken has one of the most wholesome and innocent premises for a platform game I've ever seen. The protagonist has a big kendo tournament coming up, so he takes to the wilderness to go and train, by hitting inanimate objects with his shinai. Obviously, we can't expect too much deviation or innovation from an 80s licensed platformer, so there are still enemies to kill in the stages, though they're mostly either indistinct blobs, or random objects like maid dolls or walking bowls.

Your journey through the platform stage actually does act as a kind of training, as when you hit platforms, wooden posts, tires and other stuff strewn about the stages, little tiny shinai items pop out of them. These items come in three flavours: high, middle and low, and they're also floating around in the stages in the traditional platform game item fashion. These items don't actually do anything during the platform stages, but after three such stages, it's time for the big tournament!

But before I get onto that, I have more things to say about the platform stages. Firstly, there's an added complication in that as well as avoiding all the hazards, traps and enemies, you're also racing your dog to the end of the stage. This isn't really a big deal though, as he's so slow that he's usually only halfway through the stage by the time you reach the end. Secondly, the game uses a kind of rudimentary HP system: you start with fifty HP, and getting hit causes you to lose twenty-five of them, and should you happen across any riceballs along the way, they'll restore 10 each. At the end of the stage, you'll get 100 points for each HP you have left. What I find interesting about this system is that if you've been hit once, finding a riceball will allow you to survive one more hit before losing a life, but after that hit, you'll need to find two of them to get another hit. Obviously, this also means that the best scoring strategy is to avoid hits and find riceballs, so you have the maximum number of HP to turn into points at the end.

The platform stages are so absurdly difficult that, though I'm ashamed to admit it, I actually had to abuse save states to reach the tournament, because I really wanted to see it and screenshot it for my beloved readers. It was totally worth the effort, though, as it's good enough to have been a game on its own. What happenis is that you fight five sequential opponents in traditional first-to-two-points kendo matches. The items you collected during your training come into play here, as each 10 you have in each category allow you to use a powerful strike once. These strikes are almost guaranteed to win you a point when you use them, but you still need to be careful with tham, as the amount of items you have going into the tournament is what you're stuck with: they don't replenish between rounds, or when you lose a life (by losing a round).

Musashi no Ken is a pretty good game, with a lot of cool ideas. If they could flesh it out about, and come up wwith a replacement for the item-limited power strikes, the kendo tournament is good enough to be its own standalone game. I've said it before, and I'll say it again: kendo is a sport that should work well in videogame form, and it's totally bizarre that over almost forty years, there's less than ten kendo games in existence.

Spartan X 2 (NES)

The original Spartan X (also known as Kung Fu Master and just Kung Fu) was an iconic and highly influential game early in the mid-80s. Though it spawned many imitators on pretty much every system popular in Japan at the time (including an old Lunatic Obscurity subject, Dragon Wang), though oddly, it never got a sequel until more than half a decade later, and that sequel never got released outside Japan, nor did it even come close to becoming as iconic as its predecessor.

There's a few reasons for this: Spartan X, while not the first beat em up, was a fairly early entry into the genre, and brought with it simple, fun mechanics and beautifully simple graphics that made great use of chunky sprites and limited colour palletes to depict a classic kung fu cinema-inspired setting. Where Spartan X 2 falls short is that it keeps the simple mechanics, despite the fact that 6 years had passed, and in those six years, the likes of Final Fight and Nekketsu Kunio Kouha-kun (among others) had totally revolutionised the genre, making Spartan X 2's single plane stages and one-hit enemies look old hat by comparision. That's not to say that the single plane beat em up was totally obsolete: 1988's Altered Beast, for example became an icon of its era by adding all kinds of new gimmicks and mechanics onto the idea (and by being a prominent Mega Drive launch title too, no doubt).

Mechanics aside, Spartan X 2 also suffers through its setting and graphics. Gone are the simple, bright sprites of the original, as well as its chinese setting. It's hard to blame the devs for making things look more detailed and up-to-date, but the real sticker is the new setting, having the game take place in a modern-day world filled with crime and violence, just like dozens of other beat em ups and other action games that had been released in the interim years since the original game.

So, if we overlook the ways in which it fails to be a "worthy" sequel to the original, is Spartan X 2 a good game? I can honestly say it's not a bad game, at least. It's decently fun to play, it looks and sounds al right, and it doesn't feel unfair or annoying at any point. The problem is it's not particularly anything special, either. It really is just another one of many, many beat em ups that's not particularly remarkable in any way. It also has the problem that it's far too easy: you can take a lot of beatings and strangulation before losing a life, and extra lives are given out at every 20,000 points (which happens at least once per stage). There's also the bizarre fact that you gain points while enemies are strangling you, which makes no sense to me at all, either thematically or mechanically.

If you happen find a copy of the Famicom cartridge for a (very) low price, Spartan X 2 is a fun game to add to your collection, but otherwise, it's not really good or interesting enough to go out of your way to acquire.

Yuu Maze (Famicom Disk System)

Yuu Maze is the name it's known by in ROMsets and the like, but in-game, it also uses the name Youmais. It's also a port of the arcade game Raimais, so that makes three names. I'm sure many of you will be familiar with Raimais, since it appears in the excellent PS2 compilation Taito Legends Volume 2 (in my opinion, the greatest retro compilation ever released), but for those who aren't, it's like a very fast, futuristic version of Pac-Man, with various different kinds of enemies, a bunch of power-ups and lots of different mazes.

Yuu Maze is still worth talking about on its own though, since it's not a 100% straight port. Obviously, the graphics take a hit in the move from arcade to FDS, but there's also a few small design changes. The first you'll come across is that the stages now have two portals in each of them: you go into one, and emerge from the other. Then there's the fact that while Raimais had four different doors to go into between stages (each one leading to a different next stage, of course), Yuu Maze only has two. The third big difference is the hidden portals that are found in some stages.

In Raimais, it was pretty rare to find these hidden portals, and they led to secret boss stages. The problem with this, though, was that the bossfights were so tactically different to the regular stages that they were very difficult, and their sporadic nature made them hard to practice. In Yuu Maze, these hidden portals are a lot more common, and instead of leading to bossfights, they lead to timed bonus stages, giving the player sixty seconds to collect all the dots or kill all the enemies. Destroying enemies works in the same way as in Raimais though: there are power-ups that grant the player a laser or a temporary one-hit shield, so you can shoot the enemies or sacrifice the shield and ram them. There's also mines in some stages, which go off a few seconds after the player goes over them, killing anyone narby when they do.

There's also an edit mode, which allows you to make a little five stage course. It's about as complex as you'd expect from a console game released in 1988, but it's a nice little thing, that totally gels well with the simple structure of the game. Raimais is a criminally overlooked game in Taito's back catalogue, and Yuu Maze is a decent enough variant on it. I recommend playing either one of them, or both. Yuu Maze is a lot easier though, being very generous with the extra lives, compared to its inspiration.

Kamen Rider Black - Taiketsu Shadow Moon

Obviously, the title is what attracted me to this game. Most Kamen Rider games are either based on the post-2000 series, or are based on the classic series, but made many years later (for example, the Kamen Rider and Kamen Rider V3 games on Playstation), but the game is based on an older Rider and was

released at the same time as the show was airing.
It's a mostly standard single-plane beat em up, in which you travel from left to right, punching creatures along the way, and fighting a boss at the end. Every three stages there's a fight with an area boss, which is pretty cool as the sprites for these fights are double size.
There's also occasional motorbike stages, which, since you walk so slowly in the regular stages are a breath of fresh air. These stages play a lot like the motorbike stages in Alex Kidd in Miracle World and Alex Kidd in the Enchanted Castle: you ride along at a decent speed, jumping over pits and obstacles.
The walking stages that make up the bulk of the game aren't so fun. As I already mentioned, they're very slow, and there are further problems to be found in the controls, which have two strange and very pronounced quirks. The first one you're likely to notice is the bizarre way jumping works in this game.

Pressing the jump button once will make you jump straight upwards. To actually jump forwards, you must jump upwards, then at the right time (just before the flip at the jump's summit), press forward and jump together. I don't understand why this was done at all, since it does seem to be a deliberate desicion on behalf of the designers.
Whether the second quirk is deliberate design or just bad programming is less clear, though. What it is, is that rather than changing direction instantly when you press left then right (or vice versa), you step backwards for a second, then turn round. This puts you at a disadvantage in boss fights, since you're unable to quickly turn to face your opponent, and, in fact, tapping the directions only makes the problem worse. This is pretty much unforgivable for players used to the quick reactions of later beat em ups (and even contempory ones, like Altered Beast).

A good thing about the game (though nowhere near good enough to redeem it) is the fact that it does look pretty nice. Even though the sprites are tiny, and all except for Kamen Rider Black himself and the big area bosses are a bit crap and undetailed, the graphics as a whole are very colourful, and the backgrounds, though simple, look nice enough too.

The Super Shinobi (NES)

Hello! I'm sorry it's been such a long time since my last post, I've been spending too much time playing games everyone's heard of (and that, as such aren't suitable material for this blog), like Dynasty Warriors Gundam 3 and Alice: Madness Returns. But here's a new review! I think this might be a record for the most posts in a row that aren't about Playstation games, too, which is nice.
Anyway, The Super Shinobi for NES/Famicom is, despite the title, a port of the awesome and excellent Mega Drive game The Super Shinobi II (which is known in the west as Shinobi III: Return of the Ninja Master). Although "port" might be too generous a term for this game. Those plucky pirates at SUPER GAME tried their hardest, but it's really more of a loose adaptation of the original.
At first glance, it does seem pretty faithful, the graphics are excellent considering the limitations of the hardware, and the music is alright too (I assume it will probably be of interest to game music nerds too, so they can hear some NES covers of Mega Drive songs...).
The first big difference you'll notice is the scarcity of shurikens compared to the original. This means you'll be going in close and attacking enemies with your sword a lot more. As you go throughout the game, you'll notice that Joe isn't as agile as you're used to, too. For example, his somersault jump doesn't goe as high as it does in the original, he can only hang underneath certain places, rather than from the bottoms of any platforms and, as far as I can tell, he can no longer walljump.
The game also makes a brave attempt at Shinobi III's horse riding stage, but it doesn't really work very well. It's nice that they tried though, right?
I've only managed to get a few stages into the game (to be exact, as far as the "floating cyborg brain thing" boss), and Joe's new found physical disabilities haven't hampered progress so far, though there are some item on platforms that are just slightly out of reach, which is annoying, considering the raised difficulty in this game compared to its source.
The blame for the increased difficulty can be placed on a combination of the weaker hardware, and some slightly inept programming. There are two main problem when fighting enemies: the AI for the stronger enemies seems completely random compared to the original game, so rather than waiting for an opening that you know is coming, the most effecient way of fighting is to get in close and slash at them until they die, hoping that they go before you. The other problem is slightly shoddy collision detection. Not bad enough to be a disaster, just a mild nuisance.
From what I've played of this game, it seems like the most reliable way to proceed is to abuse the hell out of your ninja magics: using the suicide spell when you're low on health, so you can start a new life's health bar without restarting the stage, and using the shield spell whenever you have more than one magic stock, to make that health bar last a little bit longer. It seems the makers of the game were aware of this too, as while the extra magic item is incredibly rare in the original version, there's a few in each stage in the pirate.
All in all, like a lot of these pirate ports, it's a nice curio, but not really a very good game, and definitely not worth bothering with in this modern age when you can just emulate the original.

Tian Wang Xiang Mo Zhuan (NES)

As you may have gathered from the title, this is yet another unlicenced Chinese game. I don't like reviewing similar games after each other, but that whole world of unlicenced, mostly undocumented games interests me a lot.
It's a beat em up, set, if my interpretations of the images in the intro are correct, in a post-apocalyptic world that has suffered the ravages of both nuclear war and the opening of some kind of evil demon treasure chest.
So, you pick one of four warriors (and if you're smart, you'll pick the orange, umbrella wielding guy in the bottom right of the selection screen) and go about various locations beating up monsters.
The enemies are pretty varied, ranging from aggressive bats and frogs, to humanoid snake and eagle monsters.
Combat itself is okay. There's arent any Streets of Rage-style combos for you normal attacks, though each character does have two special moves, though these two moves are essentially the same for all characters: double-tapping a direction and pressing attack will make your character zoom across the screen, damaging all the enemies they touch (very useful for dealing with the bats, who are awkward to kill with your regular attack), and a projectile move done in the tradional quarter circle forward manner.
As for power-ups, there are the usual health recovery and 1-up items, plus a few other items, that all turn you into some kind of creature (including, but possibly not limited to a dragon, a flying unicorn and a will-o-the-wisp), that give you the ability to fly around, be invincible and kill every enemy you touch for a short time.
This isn't a bad game, it's hard, but not unfair, it doesn't look or sound any worse than your typical NES games, and as far as I know, it isn't just an officially released game with the sprites changed.

Dragon Fighter (NES)

Sorry it's been so long since the last post, I've been spending lots of time playing fare far too mainstream for this blog, like Dodonpachi Ressurection and Legend of Zelda: The Minish Cap, and so on. Both of those are really good, by the way.
Anyway, when you first start playing Dragon Fighter, it seems pretty much like any other generic NES platform game: you're a sword guy in a frosty wasteland, it's really hard, you're fighting absurd enemies like killer snowflakes and ninja bears. But then you die and get game over (since there are no lives), and if you're me, you think "That can't be it! There has to be more to this game!", and you find out that there is more to this game, that this game has a gimmick. A really cool gimmick.
There are two meters at the top of the screen while you play. The shorter one is obviously your health bar (don't worry, it gets slightly longer every time you complete a stage), the longer one is your dragon bar. Your dragon bar fills up a tiny amount every time you kill an enemy, and when it's at least half full, hold up and jump together to turn into a dragon. Then proceed to fly around and shoot stuff until it runs out or you change back voluntarily.
Obviously, the cool gimmick alone makes the game a pretty amusing diversion, and apart from that it's not really bad, just a generic NES platform game. It does have one pretty big flaw, though: the only health recovery items are dropped by enemies randomly, so depending on whether the gods are on your side that day, you could get plenty of them or you could get none. In a game as hard as this, that can make a really big difference as to how far you get on a playthrough.